Lindaland
  For Yellow Wax And The Ants
  Just Novalis Quotes

Post New Topic  Post A Reply
profile | register | preferences | faq

UBBFriend: Email This Page to Someone! next newest topic | next oldest topic
Author Topic:   Just Novalis Quotes
Heart--Shaped Cross
unregistered
posted June 22, 2007 02:45 PM           Edit/Delete Message
'Philosophy can bake no bread; but she can procure for us God, Freedom, Immortality. Which, then, is more practical, Philosophy or Economy?--

'Philosophy is properly Home-sickness; the wish to be everywhere at home.--

'We are near awakening when we dream that we dream.--

'The true philosophical Act is annihilation of self (Selbsttodtung); this is the real beginning of all Philosophy; all requisites for being a Disciple of Philosophy point hither. This Act alone corresponds to all the conditions and characteristics of transcendental conduct.--

'To become properly acquainted with a truth, we must first have disbelieved it, and disputed against it.--

'Man is the higher Sense of our Planet; the star which connects it with the upper world; the eye which it turns towards Heaven.--

'Life is a disease of the spirit; a working incited by Passion. Rest is peculiar to the spirit.--

'Our life is no Dream, but it may and will perhaps become one.--

'What is Nature? An encyclopedical, systematic Index or Plan of our Spirit. Why will we content us with the mere catalogue of our Treasures? Let us contemplate them ourselves, and in all ways elaborate and use them.--

'If our Bodily Life is a burning, our Spiritual Life is a being burnt, a Combustion (or, is precisely the inverse the case?); Death, therefore, perhaps a Change of Capacity.--

'Sleep is for the inhabitants of Planets only. In another time, Man will sleep and wake continually at once. The greater part of our Body, of our Humanity itself, yet sleeps a deep sleep.--

'There is but one Temple in the World; and that is the Body of Man. Nothing is holier than this high form. Bending before men is a reverence done to this Revelation in the Flesh. We touch Heaven, when we lay our hand on a human body.--

'Man is a Sun; his Senses are the Planets.--

'Man has ever expressed some symbolical Philosophy of his Being in his Works and Conduct; he announces himself and his Gospel of Nature; he is the Messiah of Nature.--

'Plants are Children of the Earth; we are Children of the AEther. Our Lungs are properly our Root; we live, when we breathe; we begin our life with breathing.--

'Nature is an AEolian Harp, a musical instrument; whose tones again are keys to higher strings in us.--

'Every beloved object is the centre of a Paradise.--

'The first Man is the first Spirit-seer; all appears to him as Spirit. What are children, but first men? The fresh gaze of the Child is richer in significance than the forecasting of the most indubitable Seer.--

'It depends only on the weakness of our organs and of our self-excitement (Selbstberuhrung), that we do not see ourselves in a Fairy-world. All Fabulous Tales (Mahrchen) are merely dreams of that home world, which is everywhere and nowhere. The higher powers in us, which one day as Genies, shall fulfil our will, (*1*) are, for the present, Muses, which refresh us on our toilsome course with sweet remembrances.--'

'Man consists in Truth. If he exposes Truth, he exposes himself. If he betrays Truth, he betrays himself. We speak not here of lies, but of acting against Conviction.--

'A character is a completely fashioned will (vollkommen gebildeter Wille).--

'There is, properly speaking, no Misfortune in the world. Happiness and Misfortune stand in continual balance. Every Misfortune is, as it were, the obstruction of a stream, which, after overcoming this obstruction, but bursts through with the greater force.--

'The ideal of Morality has no more dangerous rival than the ideal of highest Strength, of most powerful life; which also has been named (very falsely as it was there meant) the ideal of poetic greatness. It is the maximum of the savage; and has, in these times, gained, precisely among the greatest weaklings, very many proselytes. By this ideal, man becomes a Beast-Spirit, a Mixture; whose brutal wit has, for weaklings, a brutal power of attraction.--

'The spirit of Poesy is the morning light, which makes the Statue of Memnon sound.--

'The division of Philosopher and Poet is only apparent, and to the disadvantage of both. It is a sign of disease, and of a sickly constitution.--

'The true Poet is all-knowing; he is an actual world in miniature.--

'Klopstock's works appear, for the most part, free Translations of an unknown Poet, by a very talented but unpoetical Philologist.--

'Goethe is an altogether practical Poet. He is in his works what the English are in their wares: highly simple, neat, convenient and durable. He has done in German Literature what Wedgwood did in English Manufacture. He has, like the English, a natural turn for Economy, and a noble Taste acquired by Understanding. Both these are very compatible, and have a near affinity in the chemical sense. * * --Wilhelm Meister's Apprenticeship may be called throughout prosaic and modern. The Romantic sinks to ruin, the Poesy of Nature, the Wonderful. The Book treats merely of common worldly things: Nature and Mysticism are altogether forgotten. It is a poetised civic and household History; the Marvellous is expressly treated therein as imagination and enthusiasm. Artistic Atheism is the spirit of the Book. * * * It is properly a Candide, directed against Poetry: the Book is highly unpoetical in respect of spirit, poetical as the dress and body of it are. * * * The introduction of Shakspeare has almost a tragic effect. The hero retards the triumph of the Gospel of Economy; and economical Nature is finally the true and only remaining one.--

'When we speak of the aim and Art observable in Shakspeare's works, we must not forget that Art belongs to Nature; that it is, so to speak, self-viewing, self-imitating, self-fashioning Nature. The Art of a well-developed genius is far different from the Artfulness of the Understanding, of the merely reasoning mind. Shakspeare was no calculator, no learned thinker; he was a mighty, many-gifted soul, whose feelings and works, like products of Nature, bear the stamp of the same spirit; and in which the last and deepest of observers will still find new harmonies with the infinite structure of the Universe; concurrences with later ideas, affinities with the higher powers and senses of man. They are emblematic, have many meanings, are simple and inexhaustible, like products of Nature; and nothing more unsuitable could be said of them than that they are works of Art, in that narrow mechanical acceptation of the word.'

'Religion contains infinite sadness. If we are to love God, he must be in distress (hulfsbedurftig, help-needing). In how far is this condition answered in Christianity?--

'Spinoza is a God-intoxicated man (Gott-trunkener Mensch).--

'Is the Devil, as the Father of Lies, himself but a necessary illusion?--

'The Catholic Religion is to a certain extent applied Christianity. Fichte's Philosophy too is perhaps applied Christianity.--

'Can Miracles work Conviction? Or is not real Conviction, this highest function of our soul and personality, the only true God-announcing Miracle?

'The Christian Religion is especially remarkable, moreover, as it so decidedly lays claim to mere good-will in Man, to his essential Temper, and values this independently of all Culture and Manifestation. It stands in opposition to Science and to Art, and properly to Enjoyment.

'Its origin is with the common people. It inspires the great majority of the limited in this Earth.

'It is the Light that begins to shine in the Darkness.

'It is the root of all Democracy, the highest Fact in the Rights of Man (die hochste Thatsache der Popularitat).

'Its unpoetic exterior, its resemblance to a modern family-picture, seems only to be lent it.

'Martyrs are spiritual heroes. Christ was the greatest martyr of our species; through him has martyrdom become infinitely significant and holy.--

'The Bible begins nobly, with Paradise, the symbol of youth; and concludes with the Eternal Kingdom, the Holy City. Its two main divisions, also, are genuine grand-historical divisions. For in every grand-historical compartment, the grand history must lie, as it were, symbolically re-created, made young again. The beginning of the New Testament is the second higher Fall (the Atonement of the Fall), and the commencement of the new Period. The history of every individual man should be a Bible. Christ is a new Adam. A Bible is the highest problem of Authorship.--

'As yet there is no Religion. You must first make a Seminary of genuine Religion. Think ye that there is Religion? Religion has to be made and produced by the union of a number of persons.'

IP: Logged

Heart--Shaped Cross
unregistered
posted June 22, 2007 02:50 PM           Edit/Delete Message
'Once when I was shedding bitter tears, when dissolved in pain my Hope had melted away, and I stood solitary by the grave that in its dark narrow space concealed the Form of my life; solitary as no other had been; chased by unutterable anguish; powerless; one thought and that of misery; --here now as I looked round for help; forward could not go, nor backward, but clung to a transient extinguished Life with unutterable longing; --lo, from the azure distance, down from the heights of my old Blessedness, came a chill breath of Dusk, and suddenly the band of Birth, the fetter of Life was snapped asunder. Vanishes the Glory of Earth, and with it my Lamenting; rushes together the infinite Sadness into a new unfathomable World: thou Night's-inspiration, Slumber of Heaven, camest over me; the scene rose gently aloft; over the scene hovered my enfranchised new-born spirit; to a cloud of dust that grave changed itself; through the cloud I beheld the transfigured feature of my Beloved. In her eyes lay Eternity; I clasped her hand, and my tears became a glittering indissoluable chain. Centuries of Ages moved away into the distance, like thunder-clouds. On her neck I wept, for this new life, enrapturing tears. --It was my first, only Dream; and ever since then do I feel this changeless everlasting faith in the Heaven of Night, and its Sun my Beloved.'

'The old people were already asleep; the clock was beating its monotonous tick on the wall; the wind blustered over the rattling windows; by turns, the chamber was lighted by the sheen of the moon. The young man lay restless in his bed; and thought of the stranger and his stories. "Not the treasures is it," said he to himself, "that have awakened in me so unspeakable a desire; far from me is all covetousness; but the Blue Flower is what I long to behold. It lies incessantly in my heart, and I can think and fancy of nothing else. Never did I feel so before: it is as if, till now, I had been dreaming, or as if sleep had carried me into another world; for in the world I used to live in, who troubled himself about flowers? Such wild passion for a Flower was never heard of there. But whence could that stranger have come? None of us ever saw such a man; yet I know not how I alone was so caught with his discourse: the rest heard the very same, yet none seems to mind it. And then that I cannot even speak of my strange condition! I feel such rapturous contentment; and only then when I have not the Flower rightly before my eyes, does so deep, heartfelt an eagerness come over me; these things no one will or can believe. I could fancy I were mad, if I did not see, did not think with such perfect clearness; since that day, all is far better known to me. I have heard tell of ancient times; how animals and trees and rocks used to speak with men. This is even my feeling: as if they were on the point of breaking out, and I could see in them, what they wished to say to me. There must be many a word which I know not; did I know more, I could better comprehend these matters. Once I liked dancing; now I had rather think to the music." --The young man lost himself, by degrees, in sweet fancies, and fell asleep. He dreamed first of immeasurable distances, and wild unknown regions. He wandered over seas with incredible speed; strange animals he saw; he lived with many varieties of men, now in war, in wild tumult, now in peaceful huts. He was taken captive and fell into the lowest wretchedness. All emotions rose to a height as yet unknown to him. He lived through an infinitely variegated life; died and came back; loved to the highest passion, and then again was forever parted from his loved one.

'At length towards morning, as the dawn broke up without, his spirit also grew stiller, the images grew clearer and more permanent. It seemed to him he was walking alone in a dark wood. Only here and there did day glimmer through the green net. Ere long he came to a rocky chasm, which mounted upwards. He had to climb over many crags, which some former stream had rolled down. The higher he came, the lighter grew the wood. At last he arrived at a little meadow, which lay on the declivity of the mountain. Beyond the meadow rose a high cliff, at the foot of which he observed an opening, that seemed to be the entrance of a passage hewn in the rock. The passage led him easily on, for some time, to a great subterranean expanse, out of which from afar a bright gleam was visible. On entering, he perceived a strong beam of light, which sprang as if from a fountain to the roof of the cave, and sprayed itself into innumerable sparks, which collected below in a great basin: the beam glanced like kindled gold: not the faintest noise was to be heard, a sacred silence encircled the glorious sight. He approached the basin, which waved and quivered with infinite hues. The walls of the cave were coated with this fluid, which was not hot but cool, and on the walls threw out a faint bluish light. He dipt his hand in the basin, and wetted his lips. It was as if the breath of a spirit went through him; and he felt himself in his inmost heart strengthened and refreshed. An irresistible desire seized him to bathe; he undressed himself and stept into the basin. He felt as if a sunset cloud were floating round him; a heavenly emotion streamed over his soul; in deep pleasure innumerable thoughts strove to blend within him; new, unseen imnages arose, which also melted together, and became visible beings around him; and every wave of that lovely element pressed itself on him like a soft bosom. The flood seemed a Spirit of Beauty, which from moment to moment was taking form round the youth.

'Intoxicated with rapture, and yet conscious of every impression, he floated softly down that glittering stream, which flowed out from the basin into the rocks. A sort of sweet slumber fell upon him, in which he dreamed indescribable adventures, and out of which a new light awoke him. He found himself on a soft sward at the margin of a spring, which welled out into the air, and seemed to dissipate itself there. Dark-blue rocks, with many-coloured veins, rose at some distance; the daylight which encircled him was clearer and milder than the common; the sky was black-blue, and altogether pure. But what attracted him infinitely most was a high, light-blue Flower, which stood close by the spring, touching it with its broad glittering leaves. Round it stood innumerable flowers of all colours, and the sweetest perfume filled the air. he saw nothing but the Blue Flower; and gazed on it long with nameless tenderness. At last he was for approaching, when all at once it began to move and change; the leaves grew more resplendent, and clasped themselves round the waxing stem; the Flower bent itself towards him; and the petals showed like a blue spreading ruff, in which hovered a lovely face. His sweet astonishment at this transformation was increasing, --when suddenly his mother's voice awoke him, and he found himself in the house of his parents, which the morning sun was already gilding.'

IP: Logged

Heart--Shaped Cross
unregistered
posted June 22, 2007 02:54 PM           Edit/Delete Message

'I. The Pupil. -- Men travel in manifold paths: whoso traces and compares these, will find strange Figures come to light; Figures which seem as if they belonged to that great Cipher-writing which one meets with everywhere, on wings of birds, shells of eggs, in clouds, in the snow, in crystals, in forms of rocks, in freezing waters, in the interior and exterior of mountains, of plants, animals, men, in the lights of the sky, in plates of glass and pitch when touched and struck on, in the filings round the magnet, and the singular conjunctures of Chance. In such Figures one anticipates the key to that wondrous Writing, the grammar of it; but this Anticipation will not fix itself into shape, and appears as if, after all, it would not become such a key for us. An Alcahest seems poured out over the senses of men. Only for a moment will their wishes, their thoughts thicken into form. Thus do their Anticipations arise; but after short whiles, all is again swimming vaguely before them, even as it did.

'From afar I heard say, that Unintelligibility was but the result of Unintelligence; that this sought what itself had, and so could find nowhere else; also that we did not understand Speech, because Speech did not, would not, understand itself; that the genuine Sanscrit spoke for the sake of speaking, because speaking was its pleasure and its nature.

'Not long thereafter, said one: No explanation is required for Holy Writing. Whoso speaks truly is full of eternal life, and wonderfully related to genuine mysteries does his Writing appear to us, for it is a Concord from the Symphony of the Universe.

'Surely this voice meant our Teacher; for it is he that can collect the indications which lie scattered on all sides. A singular light kindles in his looks, when at length the high Rune lies before us, and he watches in our eyes whether the star has yet risen upon us, which is to make the Figure visible and intelligible. Does he see us sad, that the darkness will not withdraw? He consoles us, and promises the faithful assiduous seer better fortune in time. Often has he told us how, when he was a child, the impulse to employ his senses, to busy, to fill them, left him no rest. He looked at the stars, and imitated their courses and positions in the sand. Into the ocean of air he gazed incessantly; and never wearied contemplating its clearness, its movements, its clouds, its lights. He gathered stones, flowers, insects, of all sorts, and spread them out in manifold wise, in rows before him. To men and animals he paid heed; on the shore of the sea he sat, collected mussels. Over his own heart and his own thoughts he watched attentively. He knew not whither his longing was carrying him. As he grew up, he wandered far and wide; viewed other lands, other seas, new atmospheres, new rocks, unknown plants, animals, men; descended into caverns, saw how in courses and varying strata the edifice of the Earth was completed, and fashioned clay into strange figures of rocks. By and by, he came to find everywhere objects already known, but wonderfully mingled, united; and thus often extraordinary things came to shape in him. He soon became aware of combinations in all, of conjunctures, concurrences. Erelong, he no more saw anything alone. -- In great variegated images, the perceptions of his senses crowded round him; he heard, saw, touched and thought at once. He rejoiced to bring strangers together. Now the stars were men, now men were stars, the stones animals, the clouds plants; he sported with powers and appearances; he knew where and how this and that was to be found, to be brought into action; and so himself struck over the strings, for tones and touches of his own.

'What has passed with him since then he does not disclose to us. He tells us that we ourselves, led on by him and our own desire, will discover what has passed with him. Many of us have withdrawn from him. They returned to their parents, and learned trades. Some have been sent out by him, we know not whither; he selected them. Of these, some have been but a short time there, others longer. One was still a child; scarcely was he come, when our Teacher was for passing him any more instruction. This child had large dark eyes with azure ground, his skin shone like lilies, and his locks like light little clouds when it is growing evening. His voice pierced through all our hearts; willingly would we have given him our flowers, stones, pens, all we had. He smiled with an infinite earnestness; and we had a strange delight beside him. One day he will come again, said our Teacher, and then our lessons end. --Along with him he sent one, for whom we had often been sorry. Always sad he looked; he had been long years here; nothing would succeed with him; when we sought crystals or flowers, he seldom found. He saw dimly at a distance; to lay down variegated rows skilfully he had no power. He was so apt to break everything. Yet none had such eagerness, such pleasure in hearing and listening. At last, --it was before that Child came into our circle, --he all at once grew cheerful and expert. One day he had gone out sad; he did not return, and the night came on. We were very anxious for him; suddenly, as the morning dawned, we heard his voice in a neighbouring grove. He was singing a high, joyful song; we were all surprised; the Teacher looked to the East, such a look as I shall never see in him again. The singer soon came forth to us, and brought, with unspeakable blessedness on his face, a simple-looking little stone, of singular shape. The Teacher took it in his hand, and kissed him long; then looked at us with wet eyes, and laid this little stone on an empty space, which lay in the midst of other stones, just where, like radii, many rows of them met together.

'I shall in no time forget that moment. We felt as if we had had in our souls a clear passing glimpse into this wondrous World.'

'No one, of a surety, wanders farther from the mark than he who fancies to himself that he already understands this marvellous Kingdom, and can, in few words, fathom its constitution, and everywhere find the right path. To no one, who has broken off, and made himself an Island, will insight rise of itself, nor even without toilsome effort. Only to children, or childlike men, who know not what they do, can this happen. Long, unwearied intercourse, free and wise Contemplation, attention to faint tokens and indications; an inward poet-life, practised senses, a simple and devout spirit: these are the essential requisites of a true Friend of Nature; without these no one can attain his wish. Not wise does it seem to attempt comprehending and understanding a Human World without full perfected Humanity. No talent must sleep; and if all are not alike active, all must be alert, and not oppressed and enervated. As we see a future Painter in the boy who fills every wall with sketches and variedly adds colour to figure; so we see a future Philosopher in him who restlessly traces and questions all natural things, pays heed to all, brings together whatever is remarkable, and rejoices when he has become master and possessor of a new phenomenon, of a new power and piece of knowledge.

'Now to Some it appears not at all worth while to follow out the endless divisions of Nature; and moreover a dangerous undertaking, without fruit and issue. As we can never reach, say they, the absolutely smallest grain of material bodies, never find their simplest compartments, since all magnitude loses itself, forwards and backwards, in infinitude; so likewise is it with the species of bodies and powers; here too one comes on new species, new combinations, new appearances, even to infinitude. These seem only to stop, continue they, when our diligence tires; and so it is spending precious time with idle contemplations and tedious enumerations; and this becomes at last a true delirium, a real vertigo over the horrid Deep. For Nature too remains, so far as we have yet come, ever a frightful Machine of Death: everywhere monstrous revolution, inexplicable vortices of movement; a kingdom of Devouring, of the maddest tyranny; a baleful Immense: the few light-points disclose but a so much the more appalling Night, and terrors of all sorts must palsy every observer. Like a saviour does Death stand by the hapless race of mankind; for without Death, the maddest were the happiest. And precisely this striving to fathom that gigantic Mechanism is already a draught towards the Deep, a commencing giddiness; for every excitement is an increasing whirl, which soon gains full mastery over its victim, and hurls him forward with it into the fearful Night. Here, say those lamenters, lies the crafty snare for man's understanding, which Nature everywhere seeks to annihilate as her greatest foe. Hail to that childlike ignorance and innocence of men, which kept them blind to the horrible perils that everywhere, like grim thunder-clouds, lay round their peaceful dwelling, and each moment were ready to rush down on them. Only inward disunion among the powers of Nature has preserved men hitherto; nevertheless, that great epoch cannot fail to arrive, when the whole family of mankind, by a grand universal Resolve, will snatch themselves from this sorrowful condition, from this frightful imprisonment; and by a voluntary Abdication of their terrestrial abode, redeem their race from this anguish, and seek refuge in a happier world, with their ancient Father. Thus might they end worthily; and prevent a necessary violent destruction; or a still more horrible degenerating into Beasts, by gradual dissolution of their thinking organs through Insanity. Intercourse with the powers of Nature, with animals, plants, rocks, storms and waves, must necessarily assimilate men to these objects; and this Assimilation, this Metamorphosis, and dissolution of the Divine and the Human, into ungovernable Forces, is even the Spirit of Nature, that frightfully voracious power: and is not all that we see even now a prey from Heaven, a great Ruin of former Glories, the Remains of a terrific Repast?

'Be it so, cry a more courageous Class; let our species maintain a stubborn, well-planned war of destruction with this same Nature, then. By slow poisons must we endeavour to subdue her. The Inquirer into Nature is a noble hero, who rushes into the open abyss for the deliverance of his fellow-citizens. Artists have already played her many a trick: do but continue in this course; get hold of the secret threads, and bring them to act against each other. Profit by these discords, that so in the end you may lead her, like that fire-breathing Bull, according to your pleasure. To you she must become obedient. Patience and Faith beseem the children of men. Distant Brothers are united with us for one object; the wheel of the Stars must become the cistern-wheel of our life, and then, by our slaves, we can build us a new Fairyland. With heartfelt triumph let us look at her devastations, her tumults; she is selling herself to us, and every violence she will pay by a heavy penalty. In the inspiring feeling of our Freedom, let us live and die; here gushes forth the stream, which will one day overflow and subdue her; in it let us bathe, and refresh ourselves for new exploits. Hither the rage of the Monster does not reach; one drop of Freedom is sufficient to cripple her forever, and forever set limits to her havoc.

'They are right, say Several; here, or nowhere, lies the talisman. By the well of Freedom we sit and look; it is the grand magic Mirror, where the whole Creation images itself, pure and clear; in it do the tender Spirits and Forms of all Nature bathe; all chambers we here behold unlocked. What need have we toilsomely to wander over the troublous World of visible things? The purer World lies even in us, in this Well. Here discloses itself the true meaning of the great, many-coloured, complected Scene; and if full of these sights we return into Nature, all is well known to us, with certainty we distinguish every shape. We need not to inquire long; a light Comparison, a few strokes in the sand, are enough to inform us. Thus, for us, is the whole a great Writing, to which we have the key; and nothing comes to us unexpected, for the course of the great Horologe is known to us beforehand. It is only we that enjoy Nature with full senses, because she does not frighten us from our senses; because no fever-dreams oppress us, and serene consciousness makes us calm and confiding.

'They are not right, says an earnest Man of these latter. Can they not recognize in Nature the true impress of their own Selves? It is even they that consume themselves in wild hostility to Thought. They know not that this so-called Nature of theirs is a Sport of the mind, a waste Fantasy of their Dream. Of a surety, it is for them a horrible Monster, a strange grotesque Shadow of their own Passions. The waking man looks without fear at this offspring of his lawless Imagination; for he knows that they are but vain Spectres of his weakness. He feels himself lord of the world: his me hovers victorious over the Abyss; and will through Eternities hover aloft above that endless Vicissitude. Harmony is what his spirit strives to promulgate, to extend. He will even to infinitude grow more and more harmonious with himself and with his Creation; and at every step behold the all-efficiency of a high moral Order in the Universe, and what is purest of his Me come forth into brighter and brighter clearness. This significance of the World is Reason; for her sake is the World here; and when it is grown to be the arena of a childlike, expanding Reason, it will one day become the divine Image of her Activity, the scene of a genuine Church. Till then let man honour Nature as the Emblem of his own Spirit; the Emblem ennobling itself, along with him, to unlimited degrees. Let him, therefore, who would arrive at knowledge of Nature, train his moral sense, let him act and conceive in accordance with the noble Essence of his Soul; and as if of herself Nature will become open to him. Moral Action is that great and only Experiment, in which all riddles of the most manifold appearances explain themselves. Whoso understands it, and in rigid sequence of Thought can lay it open, is forever master of Nature.'

'Common Logic is the Grammar of the higher Speech, that is, of Thought; it examines merely the relations of ideas to one another, the Mechanics of Thought, the pure Physiology of ideas. Now logical ideas stand related to one another, like words without thoughts. Logic occupies itself with the mere dead Body of the Science of Thinking. --Metaphysics, again, is the Dynamics of Thought; treats of the primary Powers of Thought; occupies itself with the mere Soul of the Science of Thinking. Metaphysical ideas stand related to one another, like thoughts without words. Men often wondered at the stubborn Incompletibility of these two Sciences; each followed its own business by itself; there was a want everywhere, nothing would suit rightly with either. From the very first, attempts were made to unite them, as everything about them indicated relationship; but every attempt failed; the one or the other Science still suffered in these attempts, and lost its essential character. We had to abide by metaphysical Logic, and logical Metaphysic, but neither of them was as it should be. With Physiology and Psychology, with Mechanics and Chemistry, it fared no better. In the latter half of this Century there arose, with us Germans, a more violent commotion than ever; the hostile masses towered themselves up against each other more fiercely than heretofore; the fermentation was extreme; there followed powerful explosions. And now some assert that a real Compenetration has somewhere or other taken place; that the germ of a union has arisen, which will grow by degrees, and assimilate all to one indivisible form: that this principle of Peace is pressing out irresistibly on all sides, and that erelong there will be but one Science and one Spirit, as one Prophet and one God.'--

'The rude, discursive Thinker is the Scholastic (Schoolman Logician). The true Scholastic is a mystical Subtlist; out of logical Atoms he builds his Universe; he annihilates all living Nature, to put an Artifice of Thoughts (Gedankenkunststuck, literally Conjuror's-trick of Thoughts) in its room. His aim is an infinite Automaton. Opposite to him is the rude, intuitive Poet: this is a mystical Macrologist: he hates rules and fixed form; a wild, violent life reigns instead of it in Nature; all is animate, no law; wilfulness and wonder everywhere. He is merely dynamical. Thus does the Philosophic Spirit arise at first, in altogether separate masses. In the second stage of culture these masses begin to come in contact, multifariously enough; and, as in the union of infinite Extremes, the Finite, the Limited arises, so here also arise "Eclectic Philosophers" without number; the time of misunderstanding begins. The most limited is, in this stage, the most important, the purest Philosopher of the second stage. This class occupies itself wholly with the actual, present world, in the strictest sense. The Philosophers of the first class look down with contempt on those of the second; say, they are a little of everything, and so nothing; hold their views as the results of weakness, as Inconsequentism. On the contrary, the second class, in their turn, pity the first; lay the blame on their visionary enthusiasm, which they say is absurd, even to insanity.

'If on the one hand the Scholastics and Alchemists seem to be utterly at variance, and the Eclectics on the other hand quite at one, yet, strictly examined, it is altogether the reverse. The former, in essentials, are indirectly of one opinion; namely, as regards the non-dependence, and infinite character of Meditation, they both set out from the Absolute: whilst the Eclectic and limited sort are essentially at variance; and agree only in what is deduced. The former are infinite but uniform, the latter bounded but multiform; the former have genius, the latter talent; those have Ideas, these have knacks (Handgriffe); those are heads without hands, these are hands without heads. The third stage is for the Artist, who can be at once implement and genius. He finds that that primitive Separation in the absolute Philosophical Activities' (between the Scholastic, and the "rude, intuitive Poet") 'is a deeper-lying Separation in his own Nature; which Separation indicates, by its existence as such, the possibility of being adjusted, of being joined: he finds that, heterogeneous as these Activities are, there is yet a faculty in him of passing from the one to the other, of changing his polarity at will. He discovers in them, therefore, necessary members of his spirit; he observes that both must be united in some common Principle. He infers that Eclecticism is nothing but the imperfect defective employment of this principle.'

IP: Logged

Valus
Knowflake

Posts: 1891
From:
Registered: Apr 2009

posted December 29, 2009 11:43 AM     Click Here to See the Profile for Valus     Edit/Delete Message
bump

IP: Logged

All times are Eastern Standard Time

next newest topic | next oldest topic

Administrative Options: Close Topic | Archive/Move | Delete Topic
Post New Topic  Post A Reply
Hop to:

Contact Us | Linda-Goodman.com

Copyright © 2008

Powered by Infopop www.infopop.com © 2000
Ultimate Bulletin Board 5.46a