posted October 08, 2007 11:00 AM         

http://www.rexresearch.com/articles/roffe.htm

Harmonic Resonance

by

Randall Cole ROFFE

The application of the principles of one science into another is often neglected. Today we have a massive and growing volume of experimentally proven information that certainly does not always
find its every application. In the real world, we can work from scientific theory, through experimentation, into an engineered result, but just as often we work via reverse engineering, from the
result back into the origin.

To view and contemplate the entire known electromagnetic spectrum as a whole, and in terms of music and acoustics, or of color theory, is not a new concept. It has found expression in the
“music of the spheres” and other fanciful philosophies. The new concept here is to actually delineate the considerable volume of information about the vibration rates of all things in their various
states, and simply see if there is a pattern.

There is a pattern and a grand one. An apparently never-ending symphony on a cosmic scale, arranged in fifty or more octaves, literally and constantly forms, maintains, and destroys the
universe. Various octaves both above and below the fundamental red alpha-line vibration of hydrogen are the constants of proton spin and precession, mitochondrial vibration, as well as the
Earth’s fundamental resonance, and a score of other octaves with applications in every field of the sciences. Significant harmonics of these hydrogen octaves determine calcium, sodium, and other
ion vibration frequencies, the fluorescence of metals and more, in a pattern related to the periodic table.

Today, we have statistical demonstration of at least some of the principles of harmonics and multivariant analysis, which are identical with those of acoustics and music. The twelve-fold division
of phenomena into fields or realms is very popular among all cultures, because twelve is the most harmonically practical way to divide the circle. We have twelve notes in the chromatic scale,
twelve months and signs, and twelve meridians and twelve categories of medicines in the traditional Chinese medical system. In the probability theory of multivariant analysis there are
“some-teen” variables or constants possible, other values being determined from that limited number. Likewise we see, almost universally, five primary protagonists active within the twelve-fold
field, and seven, or perhaps sometimes nine, total protagonists counting lesser ones. Thus the five or seven notes, planets, metals, days, electron levels, or particles.

If we take a good look -- and listen -- at the whole of manifestation, and apply the principles of acoustics and music, and of the color wheel, the grand pattern that emerges is self-evident. More
than this, a possible explanation of a medium of transmission of a universal electrogravitational influence, as a plenum far more fundamental than an ether, becomes apparent. With this realization a
whole new understanding of physics also emerges, with awesome possibilities.

Some Harmonic Resonance Researches

Albert Szent-Gyorgi, the famous Vitamin C researcher, published the frequencies of light under which pharmacologically or nutritionally active substances fluoresced, in the early 1960s. He found
that all stimulants fluoresced red, sedatives blue or violet, and so forth. The earlier researches of Royal Rife, although popularly misconceived today, supported these findings, that different
substances and organisms have specific color or frequency associations.

Toftness and other researchers in the 1970s found that specific points in the bodies of plants and animals, and specifically in human patients, emitted specific wavelengths of microwaves, for
example 69.5 gigahertz, and that these frequencies changed in specific ways, in states of different diseases and injuries. Although the Toftness device has been exposed as unscientific, that should
not discredit the findings regarding microwave frequencies.

In other words, every part of every body has a “color” which is in octave relationship with the red to violet spectrum. Although not literally red or yellow or green, the “color” is in harmonic
relations to the visible color spectrum just as notes of music are in octave or fourth or fifth or other relationship to each other.

Geometric Structural Basis of Harmonic Resonance of Cosmos

By dividing the circle of the plane of existence, and the circles of the properties of the substances within it, we can arrive at the harmonic basis of all phenomena. This is the principle of harmonics,
expressed in a theoretical system of causality. In this theory of causality, there are certain basic principles.

All ellipses can be expressed as apparent circles, not only visually but also mathematically. Likewise, all spherical trigonometry of three dimensions can, in some applications, be further reduced
to the two dimensions of greatest movement, and even further to only one dimension of greatest movement.

This geometry, taken alone, lends itself to qualitative variation as a pure result of form. Further qualitative variables can be expressed in a matrix of nine, twelve, or sixteen variables. The electron
levels, planets, organs, or archetypal characters form these kinds of matrices.

The primary circle of existence spirals constantly through coordinates of space and time, and it contains within itself innumerable subharmonic spirals. These spiraling ellipses can be expressed
mathematically, and reduced to apparent circles, in two dimensions or one. This reduction can only be made because, by a considerable magnitude, the movement is greatest in only that one
dimension.

If we reduce to one dimension for ease of mathematical application, we have an infinite circle in the abstract. The geometry of the system gives us several natural zero points derived from the
forms of the various subharmonic spirals, and where they intersect with the primary plane. These zero or reference points determine the equinoctial points and the solstitial points of the seasons of
the year, as well as describe the bonding points of the electron levels and electron probability distributions.

The Zero Reference Points have been observed to have properties of their own, relating to what happens in physics with the seasonal changes of the year. In the dominant
northern hemisphere, spring starts the warming cycle, autumn counterbalances by starting the cooling cycle, summer receives maximum light and warmth, and winter receives the least. All the
intermediate points on the circle have their own qualitative properties which can be expressed mathematically as degrees, and they are the result entirely of their geometric angular
weather-dependent relationship to the four directions established by the Zero Reference Points. The twelve most important intermediate points form the Multivariant Harmonic Matrix Values or
MVHs.

The octave of the Color Wheel lends itself very easily and obviously to association with the circle of the seasons, as in the chart below. Note the visual spectrum in a rainbow is not equal to the
psychological sense of color. The yellow and blue regions have much more space on the rainbow!

MVH 1: Frequency of infrared/visible red boundary and its octaves in all regions of the electromagnetic spectrum = vernal equinox and first point of Triple Warmer meridian.

MVH 2: Frequency of red-orange and its octaves = midspring and first point of Gall Bladder meridian. Quincunx relation to autumn/green.

MVH 3: Frequency of yellow-orange (“peach/pink”) and its octaves = late spring and first point of Lung meridian. Quincunx relation to winter/sky blue.

MVH 4: Frequency of purest lightest yellow (“white”) and its octaves = summer solstice and first point of Stomach meridian.

MVH 5: Frequency of golden yellow and its octaves = midsummer and first point of Heart meridian.

MVH 6: Frequency of chartreuse/olive green and its octaves = late summer and first point of Small Intestine meridian.

MVH 7: Frequency of deeper leaf green and first point of darkening (“black”), and its octaves = autumnal equinox and first point of Kidney meridian.

MVH 8: Frequency of deep aqua and its octaves = midautumn and first point of Heart Protector (Sex/Circulation) meridian. Quincunx relation to spring/Blood Red.

MVH 9: Frequency of blue-green and its octaves = late autumn and first point of Liver meridian. Quincunx relation to fiery orange-red.

MVH 10: Frequency of pure deep sky or ice blue = winter solstice and first point of Large Intestine meridian.

MVH 11: Frequency of deep blue violet and its octaves = midwinter and first point of Spleen meridian.

MVH 12: Frequency of indigo/magenta and its octaves = late winter and first point of Bladder meridian. Quincunx relation to autumn/green.

Thus also, every point on the ecliptic has a corresponding frequency in octave relationship to the visible light spectrum. This reasoning can be further extended to include the entire electromagnetic
spectrum as well as the auditory spectrum, which spans several octaves of sound vibrations. For many years I have used a system which gives the F# pentatonic scale or “black keys only” scale
for the fundamental tone scale of the planet Earth, corresponding to winter and the North direction.

Of course, objectively speaking, the true nature of things is a chromatic untempered scale! That means that every possible note, like a slide guitar or a trombone can make, is possible. Further, in
actuality, the system also must be modulated to be applicable to objective reality. The required modulation factor, long researched by Heleus and others, will be discussed later. Without the
modulation factor, interesting and relevant music can be devised, but the objective means to manipulate matter for good or ill remains, perhaps serendipitously, elusive.

Thus, the seasons are in reality Multivariant Harmonic Matrix Values, expressions of qualitative values in terms of quantities, as are all numbers which can be expressed in a
circle or octave. Thus also are the electron energy levels, the elements of the periodic table, the notes of any musical scale, indeed, the entire electromagnetic spectrum. In this book the
Multivariant Harmonic Matrix Values are expressed as MVH 1 – 12.

Every one of these systems is circular and each of them has a zero point. For the seasons the MVH 1 is the Vernal Equinox. For the elements as well as the colors the zero point or MVH 1 is
hydrogen and the red of the Hydrogen-alpha Line. Although we have assumed that the zero point or MVH 1 of the musical scale is the note A, and often the note of C is used as such by
musicians, in reality of course a “sliding scale” of MVH values is used, as musicians transpose keys. In fact, the real Primary Multivariant Harmonic Matrix Value in music, the real universal
fundamental tone, is a slightly sharped B note.

Although other harmonics can be used, the twelvefold system is by far the most useful and finds its application in music, the months and the periodic table; and this sytem of twelve divisions is far
from arbitrary. Thus there are eleven other MVH values in these octave systems, and within the twelve there are also generally around seven MVH values that are most active at any given time...