Author
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Topic: Goddesses - cont... Mnemosyne, Ariadne, Hygieia
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vesta-sister unregistered
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posted February 01, 2009 12:28 PM
Mnemosyne - The Soul Of Memory 'Thou fill'st from the wingèd chalice of the soul Thy lamp, O Memory, fire-wingèd to its goal. Dante Gabriel Rossetti The faculty of memory was so important to the ancients that it was personified as a goddess. In Greek cosmogony Mnemosyne was the daughter of Uranus and Gaia, a pre-Olympian goddess who characterized Memory. Being one of the original deities Mnemosyne is the custodian of memory before the advent of writing, literacy, books, recordings and computers. She embodies the voice of an oral culture that communicates from the soul through stories, pictures, metaphors and body language. Mnemosyne finds her voice through the poetry of images revealing her memoirs through a dream, a feeling, a response, a longing or a sudden thought that darts into consciousness. Embedded in the fragments of a song, a myth, or a fairy tale linger ancient truths that awaken the goddess. Dwelling in the soul Mnemosyne unexpectedly arouses memory through our senses and bodily reactions. To the ancient Greeks memory was a goddess residing in the heart. Memory was soulful, an aspect of psyche that was creative and evocative and the ancients also saw the goddess as mother of the Muses. Goddess culture honored her form through three phases and originally Mnemosyne was celebrated through the Muses of meditation, memory and song. In early myth the Muses were the triune aspect of memory who inspired poetry and song. As rational science and beliefs began to emerge the seat of memory began to shift to the brain, aligning memory with a more logical and calculating experience rendering Mnemosyne a passive goddess who collected and stored life's impressions. Later myth suggested there were nine muses. Zeus visited Mnemosyne for nine nights and was the father of her nine daughters, the Muses, the inspiration and manifestation of the soul of memory. As mistresses of healing and prophecy the Muses inspired and taught others to contact a deeper knowing through their imagination and creativity which guarded the wellspring of memory. As custodians of the arts each had a sphere of influence which they inspired and animated with ancient images and recollections. History, Music, Comedy, Tragedy, Choral Dance and Song, Lyric Poetry, Religious Dance, Astronomy and Epic Poetry were the personifications of the ancient goddess of memory. Apollo, lord of the rational sphere, became their guardian and leader. Memory's daughters are the muses, the ones who inspire and enchant the soul. Through her and her daughters we are able to engage in weaving the fragments of memory together to evoke meaning. Mnemosyne reminds us to remember the ancient ways. The goddess of Memory is not just a passive recorder of experience and events but a poetic and heart-rending process that inspires the imagination. Mnemosyne re-collects the emotional experiences, feelings and impressions of our life. She is the archive of all that we have tasted, touched, wanted, smelt and felt. Her memories are stored in the psyche as images, symbols, feelings, impressions and instincts or become imprinted in thebody, in the adrenal or olfactory glands, the tension in the muscles, allergies and illnesses. Mnemosyne is rhythmic and reflective, not linear, evoking dreams, images, songs that give continuity to our life's narrative. Memory and imagination are woven together when Mnemosyne and her daughters are aroused. To the ancients the sacred sanctuary of Mnemosyne and the Muses was the museum. These ancient shrines dedicated to the goddess ceded to the structures we know today as museums where we house the great works of the imagination. On an inner level the museum is the sphere of Mnemosyne where impressions and feelings from the past are evoked in the present situation. In astrology Mnemosyne, the goddess, helps us remember images and impressions from previous phases of our life in order to give meaning, context and insight into these experiences. She acts as a loosening agent, allowing buried complexes, taboo feelings, repressed memories to breathe again to find some place in the sunlight of consciousness. She connects passages of time together. Links can be made back to times in the previous cycle allowing space for the process of reflection and musing. ____________________________________________
Ariadne - The Labyrinth Of The Soul 'To be always fortunate, and to pass through life with a soul that has never known sorrow, is to be ignorant of one half of nature.' Seneca Daughter of the great dynasty of Knossos, Ariadne's fate was overshadowed by the curse that plagued her family. In the guise of a great white bull, Zeus had abducted her grandmother Europa from Phoenicia and brought her to Crete. Her mother Pasiphaë had also become enamored by a great bull. Ariadne participated in the family fate: as Pasiphaë's daughter her lifeblood was impassioned and as Europa's granddaughter her destiny was to abandon her ancestral home. Poseidon cursed Ariadne's family when her father Minos refused to sacrifice his most magnificent bull to the god. Spurned, the god aroused Pasiphaë's shameful lust for the impressive bull that became embodied in her bull-son, the Minotaur, human from the shoulders down. Banished into the labyrinthine blackness below the palace Ariadne's half-brother, the Minotaur, fed on sacrificial children sent from Athens every nine years. Heroic Theseus was one of fourteen youths sent to Crete to face death at the hands of the Minotaur. When Theseus arrived to participate in the bull games Ariadne's passions were ignited when she saw him for the first time. Beguiled by the handsome hero, Ariadne devised a plan for Theseus to slay the Minotaur and return safely through the dark tunnels of the labyrinth. For her complicity Theseus promised he would marry her and take her away to Athens. Unconscious that her fate was enmeshed with the god Dionysus and not Theseus Ariadne set upon her course to help her lover and in turn betray her family. Through the dark labyrinthine tunnels Theseus crawled, quietly, mindful not to make sounds that would waken the sleeping Minotaur. Wrapped around his wrist was a ball of yarn, tied to the pillar at the entrance of the maze, which unravelled as he made his way through the dangerous tunnels. Ariadne's thread was the umbilical cord that connected him to the outer world and guaranteed his return after he killed the Minotaur. That evening Ariadne escaped with Theseus. In the dark Mediterranean night they set sail for a victorious return to Athens. Leaving behind her father and sacrificing her brother she surrendered to the passion that burned inside, the rapture only Aphrodite could inspire, a similar fervor that had inflamed her mother and grandmother. The next night Ariadne and her lover reached the island Naxos. Exhausted by traveling and fatigued from the emotional turmoil that had preceded their escape they collapsed into a deep sleep. But as the rays of the morning sun lit her face Ariadne awoke to discover her lover had vanished. At the edge of the shore she saw the sails of his ship in the distance. Athena had carefully woken Theseus before dawn, setting him on his course home without Ariadne. Abandoned, betrayed and used, Ariadne descended into her own
complex world on the shores of Naxos. Blinded by her passions Ariadne had been complicit in her abandonment. In betraying her family to follow her hero she had set the cycle of betrayal in motion. Projecting her heroic self onto Theseus had left her separated from her own center. Alone Ariadne was forced to connect with her internal world. At this threshold Ariadne experienced an epiphany of Aphrodite the goddess who ignited the passionate fires that led to her suffering. Appearing to Ariadne the goddess revealed her true fate: she would wed her real soul mate, the divine Dionysus. Dionysus celebrated their sacred marriage by offering Ariadne the crown as the symbol of their intimacy and eternal union. Ariadne's myth portrays the heart's painful journey when connection to the inner self is severed and sacrificed to the lover. Ariadne followed her lover's course rather than her own internal labyrinthine journey, losing her genuine direction. Using the thread, the symbolic connection to her inner core, to serve the hero Ariadne lost contact with her own inner wisdom. Abandoned she was no longer able to define herself exclusively through a partner; therefore a more authentic sense of self could emerge. The painful process of confronting her naïve trust and blind faith in Theseus enabled her renewal and redemption. In psychological terms a more divine sense of union is possible when projections onto the other are consciously relinquished. Dionysus embodies a woman's masculine spirit enabling her to define herself in terms of her own needs and not through someone else. When Ariadne is prominent in the birth chart she reveals the course of the heart encouraging the individual to acknowledge that the threads to their inner self are tenuous and must be honored in relationship. Ariadne celebrates a more intimate connection with the heart, whether that is through a personal relationship, a new creative endeavor or a new course of life. In astrology Ariadne represents abandonment as an archetypal process that strips away the mind's illusions in order to hear the calling of the true self. Confronted by the painful reality of being left the individual is forced to relinquish their hopes and fantasies in order to awaken to the authentic path of the heart. Ariadne embodies the soul in relationship that must first experience the painful course of the labyrinth before a divine connection can be realized. ____________________________________________
Hygieia - The Soul Of Health 'Health, greatest of all the blessed gods, may I live with you for the rest of my life' Hymn to Hygieia, Ariphron In the ancient Greek sanctuaries of healing statues of Hygieia, the goddess of health, reminded the pilgrim of the archetypal quest for wholeness and well being. Adorned with a simple garment Hygieia was often represented as youthful, radiant and smiling, attributes that are companions of health. Either she is holding or feeding a snake. Carrying a bowl of food or water Hygieia is generally represented tending the sacred snakes that were housed in the temples on the sanctuaries of healing. Sometimes she is presented holding a wreath of laurel, combining victory with health, or other plants known for their medicinal properties, a motif that links her to an ancient tradition of woman healers, herbalists and midwives. Hygieia's intimate relationship with the serpent recalls her link to the ancient goddesses of healing and nature. Earth and Mother goddesses were accompanied by serpents and the ancient belief was that they transmitted the power of healing and prophecy. As a symbol of both regeneration and divination serpents were sacred to the goddess who gave them sanctuary in the bosom of the earth. Later the cult of sacred snake was adapted and serpents were included in the rituals at the sanctuaries that offered healing and spiritual guidance. The ancients also saw the sacred serpent dwelling in the body and when awakened it could offer illumination, vitality and the radiance of well being. As nature became less mysterious snakes became demonized, no longer transmitting the ancient wisdom of healing but transporting demonic and darker forces. Hygieia nurtures and tends the snake revering its sacred power to rejuvenate and shed its old ways. She celebrates its dark, earthy force and recognizes the divine mystery of illness and health. Like her ancient ancestors, Hygieia honored the union between the natural and supernatural worlds knowing that health and well being depended on bringing them both into a cohesive whole. Goddess wisdom also knew that all of nature was animated by spirits that could be petitioned through magical and religious ritual in an attempt to restore equilibrium and well being. Hygieia is the modern surrogate of the ancient goddesses who honor the great mystery of healing. To the Greeks Hygieia personified health, that mysterious amalgam of well being, wholeness and happiness. She emerged in the classical period when the cult of Asclepius became widespread and flourished throughout the Graeco-Roman world. Hygieia was mainly represented as the daughter of Asclepius, the Greek god of healing, although sometimes known as his wife. Her numerous statues equal those of Asclepius and in the cult of healing she was revered and equal to the god himself. Interestingly the popularity of temple medicine practiced at the sanctuaries of Asclepius paralleled the growth of rational medicine that had emerged through the teachings of Hippocrates. Hygieia stands at the crossroads of magico-religious healing rituals and contemporary medical practice, holding the tension between the two but allowing each to co-exist. She embraces wholistic healing in every manifestation as she is dedicated to the pursuit of health. In the ancient community disease was portrayed as a possession by a demon, the intrusion of a spirit or the curse of a god. In the cult of Asclepius illness was seen to be more the call of the divine, the voice that echoed the split between body and spirit. It was the illness that called the pilgrim to the temple to restore equilibrium and well being. At the temple the patient would prepare for an encounter with the god often by fasting, bathing or meditating. Then the patient was escorted into the temple where they would lie down and fall into a deep sleep wherein the god would appear to them in a dream. Once contact with the god had been made through the inner process of the dream the patient would be restored to health. In the healing sanctuaries of Hygieia health was evoked through contact with the divine in the inner sanctuary of the soul. Yet synchronous with these practices were medical doctors who suggested that disease was a natural occurrence and not of the god's making. Hence Hygieia eventually became associated with mental health and well being as rational medical doctors gained a stronghold on the health of the physical body. When Hygieia is strong in a birth chart we are reminded that health is the alignment of body and soul, heart and mind, outer success and inner peace. One at the expense of the other constellates dis-ease in the temperament that may manifest as a physical symptom, mental anguish or emotional pain. Hygieia is the personification of Health who calls us into the inner sanctuary of the soul to restore health and regain equilibrium. On a divinatory level Hygieia will be chosen when the healing of a situation is imperative. Rational healing is not the only answer. It must be accompanied by attending to the root cause, which ultimately is the illness in the soul. In a psychological sense Hygieia is soul of health, the urge to attend to psyche and its needs by nurturing our deeper urges and impulses. Feeding the snakes is a metaphor for nurturing the dark and mysterious aspects of the soul and attending to the unconscious. In astrology Hygieia represents health that is forged through the alliance of the natural with the supernatural, the right brain with the left, the inner world with the outer, the serpent with the soul. Hygieia reminds us that health is an archetypal image embedded in the psyche. When the soul is not nourished or attended it speaks through illness and disease. 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vesta-sister unregistered
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posted February 01, 2009 02:41 PM
Ariadne I just looked she is conjunct my valentine and Moira conjunct my prenatal eclipse ponit. opp my karma. IP: Logged |
Glaucus Knowflake Posts: 163 From: Sacramento,California Registered: Apr 2009
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posted February 01, 2009 03:04 PM
Yep.....I read that Ariadne has to do with abandonment issuesin my chart: Ariadne in 5'03 Scorpio in 2nd conjunct Sun in 5'20 Scorpio in 2nd conjunct Scotti in 5'23 Scorpio in 2nd (Scott is my father's last name) conjunct Ixion in 5'25 Scorpio in 2nd quincunx Saturn in 5'08 Gemini R in 9th Lawrence in 20'39 Sagittarius in 4th (Lawrence is my father's first name) semisquare Sun - '19 (that also means that Lawrence semisquares Ariadne,Scotti,and Ixion) Davida in 20'31 Sagittarius in 4th semisquare Sun - '11 (that means that Davida is conjunct Lawrence in 4th with 8 minutes of arc, and that conjunction semisquares Ariadne,Scotti,and Ixion) Ixion - big kuiper belt object plutino(2:3 orbital resonance with Neptune),potential dwarf planet
http://en.wikipedia.org/wiki/Ixion http://en.wikipedia.org/wiki/28978_Ixion Positive - understands karmic wheel, gives and uses a second chance, discerning Negative - lustful, inconsiderate, inclined to repeat errors, learns nothing from experience Mundane - second efforts and chances, reset buttons, cloud seeding, study of weather, watching clouds, lust or coveting of another's mate Ceremonial - rain dances, purging fires, seeking master healers My father was Lawrence Scott. He left and was never heard from again since I was 1 1/2 years old. David is the first name of my stepfather,and he is the only father figure that I have ever known. He didn't meet my mother until I was 2 1/2 years old. My chart seems to reflect my stepfather replacing my father as a father figure and end up being a dominant,shaping,controlling influence in my life.
when I see things like that with the asteroids, it makes me believe that there is such thing as fate and destiny. I mean...I didn't have any control over my father leaving and my stepfather meeting my mom to ultimately to become the only father figure that I have ever known and profoundly shaped my life. I definitely believe in a karmic approach to Astrology and not just a psychological approach to it. There is free will,but I believe that destiny and fate factor in our life experiences. Raymond
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