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Author Topic:   Satan is the God Pan
oneruledbymars
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From: South Carolina
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posted July 28, 2010 02:47 PM     Click Here to See the Profile for oneruledbymars     Edit/Delete Message   Reply w/Quote
First I am not sure if we have addressed the Asteroid Amun 3554...if so then I figured it would be cool to talk about it.

Keep in mind as you read this Akhenaten is consider by most Egytologist to be the Moses of the Bible:

" During the later part of the eighteenth dynasty, the pharaoh Akhenaten (also known as Amenhotep IV) disliked the power of the temple of Amun and advanced the worship of the Aten, a deity whose power was manifested in the sun disk, both literally and symbolically. He defaced the symbols of many of the old deities and based his religious practices upon the deity, the Aten. He moved his capitol away from Thebes, but this abrupt change was very unpopular with the priests of Amun, who now found themselves without any of their former power. The religion of Egypt was inexorably tied to the leadership of the country, the pharaoh being the leader of both. The pharaoh was the highest priest in the temple of the capital and the next lower level of religious leaders were important advisers to the pharaoh, many being administrators of the bureaucracy that ran the country.

When Akhenaten died, the priests of Amun reasserted themselves. His name was struck from Egyptian records, all of his religious and governmental changes were undone, and the capitol was returned to Thebes. The return to the previous capital and its patron deity was accomplished so swiftly that it seemed this almost monotheistic cult and its governmental reforms had never existed. Worship of the Aten ceased and worship of Amun-Ra was restored. The priests of Amun even persuaded his young son, Tutankhaten, whose name meant "the living image of Aten"—and who later would become a pharaoh—to change his name to Tutankhamun, "the living image of Amun"."

In my Chart Amun is exactly conjunct my Destin/Karma Asteroid and directly opposing:
Kleopatra at 17 Sag
> Moon at 18 Sag
> King at 18 Sag
> Neptune at 20 Sag
> Arthur at 20 Sag
> Merlin at 22 Sag
Reiki at 24 Sag


A stellium which lead me to my lifeline as a Pharoah..particularly a Pharoah who was Arthur like in the quest of a Holy Grail from Ancient Egypt, with the training of a Magician..the knowledge itself learned from instruction I recieved growing up in the temple. Shamanism was also in involved in this process...perhaps this is why the African Culture of the indigenous as well as other Spiritually connected races as pictured in Avatar use this method to communicate with Spirit and live at one with Nature..this all in line with Archtype of the God Pan/Amun.

For me Amun is the nature of our True Selves that we find once our Ego is dead.
It is our Soul Nature and by sign and place in our chart it can tell us how we will get there....mine was by learning and absolving the Karma from my Egyptian lifeline as a Pharoah.
And I worshipped Amun.
My Twin and I have Amun Conjunct Amun Draconically and this opposes my Moon and Neptune Stellum...no wonder this has all opened up...now I am going to go on to link......Pan with Satan and show you how Amun plays apart.

Consider this from the "White Dragon" website.

"In Greek 'pan' means 'all', and the god was later identified with the physical Universe - although his name, except for its sound, has nothing to do with this. The story just told suggests that Pan was one of the youngest generation of gods. But each generation of gods must have had its own Pan, seeing that there was already a Pan in Zeus's cave, who helped Zeus against the Titans, or against Typhon, and seeing also, that a Pan was - together with Arcas - a son of Zeus and Callisto. The great poet and mythologian Aeschylus distinguished between two Pans; a son of Zeus, a twin brother of Areas; and a son of Kronos. The distinction between various Pans was also expressed in composite names such as Titanopan, Diopan, Hermopan - referring in each case to his father - or Aigipan, which was used by those who did not wish to assign any particular parentage to the god.

In the retinue of Dionysus, or in depictions of wild landscapes, there appeared not only a great Pan, but also little Pans, Paniskoi, who played the same part as the Satyrs. This resemblance to the Satyrs, of whom there must at first have been more than one, led to a dispersion and multiplication of the god Pan, who perhaps, when he originally came into being, had only a single twin brother and represented the darker half of a divine male couple. Pan belongs to that twilight world of satyrs, fauns, centaurs and sileni, who according to venerable tradition once thronged the globe, and whose descendants may still be glimpsed by the sensitive. (Crowley once confessed to having seen a faun peering at him from behind a tree at Fontainbleau.) These earlier stages of human evolution, the androgynous and semi-animal states, are yet recapitulated in the womb.

The characteristics that were ascribed to Pan in numerous lesser tales are well known: dark, terror-awakening, phallic, but not always malignant. He could, of course, sometimes be malignant, especially at noon, if he were awakened from his sleep. At night he led the dance of the nymphs, and he also ushered in the morning and kept watch from the mountain summits. Many love-stories were told of him, in which he pursued nymphs. These chases often had dramatic results. Syrinx turned herself into a reed-pipe, from which Pan fashioned the syrinx, a herdsman's flute with a row of holes; Echo, chased by Pan, became a mere voice, mere refracted sound. But Pan's greatest passion was for Selene. Of this affair it was told that the moon-goddess refused to company with the dark god. Whereupon Pan, to please her, dressed himself in white ram-skins, and thus seduced Selene. He even carried her on his back. It is however uncertain whether even in the earliest time it was necessary for him thus to change his shape in order to play the role of successful lover with a goddess who repeatedly lets herself be embraced by darkness. But the myth has traceable links with the ancient devotions of Egypt. Of all the Egyptians who were skilled in working magic. Nectanebo, the last native king of Egypt, about BCE 358, was the chief, if we may believe Greek tradition. When he saw that the end of the kingdom of Egypt was at hand, he shaved off his hair and his beard, disguised himself by putting on common apparel, took ship and fled to Pella in Macedonia, where he established himself as a physician and as an Egyptian soothsayer.

The historian Pseudo-Callisthenes tells us that there Nectanebus cast the nativity of the queen, Olympias, and sent a dream to the queen by means of a wax image. His object was to persuade the queen that the Egyptian god Amun (worshipped at Luxor in ithyphallic form in the guise or the fertility god Min) would come to her at night. Nectanebus also sent a dream to King Philip of Macedon, by means of a hawk that he had bewitched with magical words, and the king was satisfied that the child to whom his wife was about to give birth was the son of the god Amun (or Ammon) of Libya, who was regarded as the father of all the kings who ascended the throne of Egypt who did not belong to the royal stock of that country. The child was Alexander the Great.

When he conquered Egypt Alexander straightway resorted to the oasis of Siwa, to visit the shrine of Jupiter-Ammon. There he embraced the god and clothed himself in the skin of the sacred ram in which the god was incarnate. Medallions of the king ever after showed him crowned with the ram's horns of kingship and divinity. Thus Greece succumbed to the wiles of Egypt, but hellenic ways were even so impressed upon the land of the Nile, and the goat would lie with the ram."----------http://www.whitedragon.org.uk/articles/pan.htm

Interesting right...so is there a connection between Pan and Amun...you bet...but whats more is the fact that this literally suggest to me that Jesus is the story of Alexander the Great...a spin off of the Christian version though...used to control the masses as they dumbdown the population.

"In an Orphic fragment preserved by Marobius, the names of Jupiter and Pan appear to be titles of the all-creating power of the sun, and Pan, the universal substance is called Kerastes, the horned Jupiter. According to Plutarch, the Jupiter-Ammon of the Africans was the same as the Pan of the Greeks. This explains the reasons why the Macedonian kings assumed the horns of that god; for, though Alexander pretended to be his son, his successors never pretended to any such honour; and yet they equally assumed the symbols, as appears from their medals. The case is, that Pan, or Ammon, being the universe, and Jupiter a title of the Supreme God, the horns, the emblems of his power, seemed the most proper symbols of that supreme and universal dominion to which they all, as well as Alexander, had the ambition to aspire.

Now Nectanebo had been a pharaoh in the XXXth dynasty, and had fought the battle of Mendes, a town in the Delta, Lower Egypt, now called Ashmoun, with Ataxerxes II, his suzerain, king of Persia, whom he had utterly defeated, and together with his army expelled from the Delta, Nectanebo forever after remained faithful to the local god. The town was sacred to the worship of the god Min and the ram Mendes. This devotion Nectanebo took with him when he fled to Greece. His god was identified with Pan. (The Greeks called Min's city in the IXth nome of Upper Egypt Panopolis, today called Akhmim.) When the Ptolomies ruled Egypt after Alexander, Min was accepted as the Egyptian Pan, and the worship of the goat was conflated with that of the ram. This gave rise to the cult of the Goat of Mendes, infamous in the West as the incarnation of the Devil, the age-old arch rival to the slave masters of Christendom.

In dynastic times, the soul of Osiris was thought to be lodged in the sacred ram that was worshipped in the Western Delta town of Djedet, and was known as Ba-neb-Djedet (Ram-lord-of-Djedet), who remained a popular deity down to the Ptolomaic period. The Greeks garbled the last three syllables of Ba-neb-Djedet’s name into Mendes, and two Greeks in particular, the geographer Strabo and the poet Pindar, not to mention the Roman historian Diodorus of Sicily, made the Ram of Mendes famous. Pindar insisted that this Ram was permitted to have intercourse with women, a practice attested by Herodotus.

A tapestry fragment from Egypt of the fourth century CE, now in the Boston Museum of Fine Arts, shows Dionysus accompanied by Pan, who here carries the pedum (sheperd's crook) and a faun-skin. In the background are pan-pipes. Both wear the haloes of divinity. Such 'post-classical' works bear witness to the cult of Pan all around the Meditteranean well into the Christian era. Whether this persisting iconography was supported by a continuation of the Mysteries is another question. They were probably limited to the great centres of urban civilization where his cult flourished most strongly, such as Alexandria, Athens, Pergamurn and Ephesus. The silver 'Oceanus Dish' from the Mildenhall Treasure, around 350-375ce, now in the British Museum, shows four lithe maenads dancing with Pan and his satyrs.

It was Margaret Murray who said that the gods of the old religion become the devils of the new. Jesus ended his life on earth in the southern part of Judea in Jerusalem. The death of Christ heralded the birth of a new religion which would bear his name. As this new religion grew and spread, all, or almost all, it came into contact with became its enemy. The common people, content in their style of worship were suddenly heathens, sinners and enemies of the one true God. The pair of opposites was now Paganism and Christianity. As Christ represents Christianity, Pan represents Paganism. Pan was soon to become the Christian Devil, Satan incarnate. But before this Christian conception took hold, Pan was a god."


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popcorn
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posted July 28, 2010 03:22 PM     Click Here to See the Profile for popcorn     Edit/Delete Message   Reply w/Quote
Amun 29,25 in gemini..it's weird. Talk about chaos in the heaven on the moment I was born. Everything on the same place.

My venus 28,3 gemini
My amun 29,25 in gemini
My hygiea 0,21 in cancer
My N.N 1,28 in cancer
My lova 1,39 in cancer
My mars 2,14 in cancer
My tyche 2,16 in cancer
My second name elisabeth 3,10 in cancer


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aquarian/scorpio
Knowflake

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posted July 28, 2010 03:34 PM     Click Here to See the Profile for aquarian/scorpio     Edit/Delete Message   Reply w/Quote
All very interesting.

My Venus is aT 16 Sagittarius hmm we always seem to have intersting aspects lol

I have Amun at 27 Libra conjunct my DC at 27 Libra and bi-quintile my Jupiter so far..

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oneruledbymars
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posted July 28, 2010 03:47 PM     Click Here to See the Profile for oneruledbymars     Edit/Delete Message   Reply w/Quote
Popcorn-
That is interesting..because you do have a profound love for God.
How did you feel about the God mentioned in the Bible as oppposed to the one you have gotten to know after your awakening process?

Aquar/Scorp:
I know right, Im so excited to uncover this Asteroid.
How was your interactions with the God as described in the Bible...have you come to recognize your inner God as linked to Amun?

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popcorn
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posted July 28, 2010 04:01 PM     Click Here to See the Profile for popcorn     Edit/Delete Message   Reply w/Quote
ORBM. I dont know what you mean? I've never been near the bible at all. I only feel the life and me is one part of the universe like everyone else lifes here on the earth. The meaning of the life.

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popcorn
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posted July 28, 2010 04:24 PM     Click Here to See the Profile for popcorn     Edit/Delete Message   Reply w/Quote
My Nymphe 18 in cancer
My Pan 20 in cancer,
My proserpina 21 in cancer

IN house 12

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DD
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posted July 28, 2010 04:52 PM     Click Here to See the Profile for DD     Edit/Delete Message   Reply w/Quote
ORBM,

interesting that you mention exactly those two asteroids.

I always found Amun to be very interesting and very important. AS a matter of fact it was the first asteroid that "came to me", when I was first encountering egyptian asteroids.
But noone else seemed to pay attention to this one.

In my chart AMUN is on 13.4 Sagittarius (the Egyptian Sabian!) in 1st house, making a yod with TUTENCHAMUN on 12.3 Cancer on the cusp of 8th house and SPHINX on 13.3 Taurus in 5th house.

It opposes IMHOTEP on 11.2 Gemini, KAALI on 12.4 Gemini and INANNEN on 12 Gemini in 7th house.


PAN is on 21 Cancer in 8th house, conjunct Eros on 21 Cancer, Vertex on 21.2 Cancer, Destinn on 23.3 Cancer and opposes Sun/Moon-mp on 21.3 Cancer.
And of course is tied into my Chiron-DNA-opposition, which pulls in KASSANDRA as well as SAPPHO and MUSA, which are all on my DNA.
KASSANDRA Is on my DNA with 0 minute orb!

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popcorn
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posted July 28, 2010 05:08 PM     Click Here to See the Profile for popcorn     Edit/Delete Message   Reply w/Quote
Hello DD. you take my place 20-22 degree in cancer. Don't forget the eclips

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Glaucus
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posted July 28, 2010 05:11 PM     Click Here to See the Profile for Glaucus     Edit/Delete Message   Reply w/Quote

I thought Pan was the God of Nature and the son of Hermes. That's all that I ever read about Pan in mythology.

------------------
Raymond Andrews,
President,Executive Director of Developmental Neurodiversity Association
Supporting the Neurodiversity Movement

A Different Mind Is Not A Deficient Mind.
http://www.facebook.com/#!/group.php?gid=131944976821905&ref=ts

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amowls*
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posted July 28, 2010 05:17 PM     Click Here to See the Profile for amowls*     Edit/Delete Message   Reply w/Quote
Amun isn't a big player in my chart. It is at 9 Scorpio, conjunct Pluto at 12 Scorp, and sextile Neptune at 9 Cap. It also trines my Destinn at 9 Cancer.

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DD
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posted July 28, 2010 05:22 PM     Click Here to See the Profile for DD     Edit/Delete Message   Reply w/Quote
Glaucus,

apparently the God Pan had become the "model" for Satan, as he was known to instill "pan-ick". He was indicative of anything that was uncivilised, instinctual, something that the church was turning away from.

IN synastry I often experienced Pan as a strong indicator for sensual and sexual attraction, but of course in my case it is exact conjunct Eros.

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popcorn
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posted July 28, 2010 05:45 PM     Click Here to See the Profile for popcorn     Edit/Delete Message   Reply w/Quote
"IN synastry I often experienced Pan as a strong indicator for sensual and sexual attraction, but of course in my case it is exact conjunct Eros"

I agree with you here and in my case pan conj nymphe

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Glaucus
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posted July 28, 2010 05:49 PM     Click Here to See the Profile for Glaucus     Edit/Delete Message   Reply w/Quote

shrugs

pagan gods were demonized by Christians any way. even referred to as false gods

I don't think that it was just Pan

what about the Celtic pagan god, Cernunnos?
He obviously strongly resembles the so-called Devil.

------------------
Raymond Andrews,
President,Executive Director of Developmental Neurodiversity Association
Supporting the Neurodiversity Movement

A Different Mind Is Not A Deficient Mind.
http://www.facebook.com/#!/group.php?gid=131944976821905&ref=ts

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Geocosmic* Valentine
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posted July 28, 2010 05:54 PM     Click Here to See the Profile for Geocosmic* Valentine     Edit/Delete Message   Reply w/Quote
Asteroid Pan conjuncts my Nodal Axis.

In Michael Jackson's chart, asteroid Pan exactly conjuncts his Sun/Moon midpoint. Fascinating.

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Glaucus
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posted July 28, 2010 06:06 PM     Click Here to See the Profile for Glaucus     Edit/Delete Message   Reply w/Quote
Pan
conjunct my Uranus - 1'30
semisextile/quincunx my Asc/Desc - '20
contraparallel/parallel my Asc/Desc - '24

Mercury in 18'21 Scorpio
sextile Geocentric South Pan Node in 19'05 Virgo

Uranus in 15'17 Libra
sextile Geocentric North Pan Node in 16'08 Sagittarius


In my Heliocentric Chart (Higher Self)
Mercury in 17'01 Sagittarius
square Pan in 17'31 Virgo

------------------
Raymond Andrews,
President,Executive Director of Developmental Neurodiversity Association
Supporting the Neurodiversity Movement

A Different Mind Is Not A Deficient Mind. http://www.facebook.com/#!/group.php?gid=131944976821905&ref=ts

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oneruledbymars
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posted July 28, 2010 10:42 PM     Click Here to See the Profile for oneruledbymars     Edit/Delete Message   Reply w/Quote
Glaucus I came across a document in my studies which declared the Horned Ones to be descendant of Star Brothers
and we find similarity in Greece as well with Pan
yet what these 'Gods ' have in common is the Stewardship of Sacred Forests and Tree Groves
the latter are usually Oak trees very dear to those of the Ancient Religion
the equivalent of the Medicine Man or the Shaman Jaguar ,Nagual
which Christianity wiped away from our memories until a recent revival of the 'Old Ways'.


This next part is alot...but I think you can see the connection to Pan that is pretty over whelmingly conclusive.
But Glaucus they are basically the same in all the Anglo Saxon cultures he was surpressed along with the female sexuality as well.

In an Orphic fragment preserved by Marobius, the names of Jupiter and Pan appear to be titles of the all-creating power of the sun, and Pan, the universal substance is called Kerastes, the horned Jupiter. According to Plutarch, the Jupiter-Ammon of the Africans was the same as the Pan of the Greeks. This explains the reasons why the Macedonian kings assumed the horns of that god; for, though Alexander pretended to be his son, his successors never pretended to any such honour; and yet they equally assumed the symbols, as appears from their medals. The case is, that Pan, or Ammon, being the universe, and Jupiter a title of the Supreme God, the horns, the emblems of his power, seemed the most proper symbols of that supreme and universal dominion to which they all, as well as Alexander, had the ambition to aspire.

Now Nectanebo had been a pharaoh in the XXXth dynasty, and had fought the battle of Mendes, a town in the Delta, Lower Egypt, now called Ashmoun, with Ataxerxes II, his suzerain, king of Persia, whom he had utterly defeated, and together with his army expelled from the Delta, Nectanebo forever after remained faithful to the local god. The town was sacred to the worship of the god Min and the ram Mendes. This devotion Nectanebo took with him when he fled to Greece. His god was identified with Pan. (The Greeks called Min's city in the IXth nome of Upper Egypt Panopolis, today called Akhmim.) When the Ptolomies ruled Egypt after Alexander, Min was accepted as the Egyptian Pan, and the worship of the goat was conflated with that of the ram. This gave rise to the cult of the Goat of Mendes, infamous in the West as the incarnation of the Devil, the age-old arch rival to the slave masters of Christendom.

In dynastic times, the soul of Osiris was thought to be lodged in the sacred ram that was worshipped in the Western Delta town of Djedet, and was known as Ba-neb-Djedet (Ram-lord-of-Djedet), who remained a popular deity down to the Ptolomaic period. The Greeks garbled the last three syllables of Ba-neb-Djedet’s name into Mendes, and two Greeks in particular, the geographer Strabo and the poet Pindar, not to mention the Roman historian Diodorus of Sicily, made the Ram of Mendes famous. Pindar insisted that this Ram was permitted to have intercourse with women, a practice attested by Herodotus.

A tapestry fragment from Egypt of the fourth century CE, now in the Boston Museum of Fine Arts, shows Dionysus accompanied by Pan, who here carries the pedum (sheperd's crook) and a faun-skin. In the background are pan-pipes. Both wear the haloes of divinity. Such 'post-classical' works bear witness to the cult of Pan all around the Meditteranean well into the Christian era. Whether this persisting iconography was supported by a continuation of the Mysteries is another question. They were probably limited to the great centres of urban civilization where his cult flourished most strongly, such as Alexandria, Athens, Pergamurn and Ephesus. The silver 'Oceanus Dish' from the Mildenhall Treasure, around 350-375ce, now in the British Museum, shows four lithe maenads dancing with Pan and his satyrs.

It was Margaret Murray who said that the gods of the old religion become the devils of the new. Jesus ended his life on earth in the southern part of Judea in Jerusalem. The death of Christ heralded the birth of a new religion which would bear his name. As this new religion grew and spread, all, or almost all, it came into contact with became its enemy. The common people, content in their style of worship were suddenly heathens, sinners and enemies of the one true God. The pair of opposites was now Paganism and Christianity. As Christ represents Christianity, Pan represents Paganism. Pan was soon to become the Christian Devil, Satan incarnate. But before this Christian conception took hold, Pan was a god.

What was there about this frolicking god of the glen that made him so odious to the new Christians? Wherein was he Satanic? Perhaps in his sexual exploits. He is known to have seduced several nymphs. He also boasted that he had coupled with all Dionysus' drunken maenads.The episode related above wherein Pan seduces the Moon points to the Christian belief that Satan is able to disguise himself and seduce chaste women. The similarity between the Church Father Origen's description of Satan and the features of Pan is very obvious.

Pan represented freedom of spirit, natural instincts, sinless love. In some parts of the world, prior to the advent of Christianity, women were free, untrammeled by rigid rules of moral conduct, and therefore, when the new religion made its debut, women were called sinful. "The Christians found the women of Europe free and sovereign," says Elizabeth Davis in "The First Sex" (p 229). "The right to divorce, to abortion, to birth control, to property ownership, to the bearing of titles and the inheritance of estates, to the making of wills, to bringing suits at law, all these and many other rights were attrited away by the Church through the Christian centuries." We must remember that the leaders of the early church were Jews, bred in the Hebraic tradition that women were of no account and existed solely to serve men. Orthodox Judaism of the time, like Saint Augustine of Hippo, taught that women had no souls.

Now we draw closer to the reason Pan might have been viewed as Satan, why the figure of Satan as handed down to us consists of goat's feet, horns and black hair. (The statue of the god Min, the Egyptian Pan, was daubed black.) Pan came to represent the freedom of spirit and love of Nature which could be viewed only as works of the Devil. Pan and women were allies, friends, lovers. All were guiltless, without shame. As some scholars have it, guilt is the cornerstone of the early Christian faith. Woman was guilty by virtue of being woman. Saint Clement announced that "Every woman should be overwhelmed with shame at the very thought that she is woman." Here we have it in a nutshell: pagans had no guilt, no shame, no sense of sin. Thus Pan became the paragon of guilt, the embodiment of sin, and the patron of that horrendous human weakness - sex. Obviously, like gods and goddesses, and rites and ceremonies before him, Pan had to be either syncretized, suppressed or subordinated. True to form, the Christian Fathers incorporated Pan into their pantheon - as Satan. Pan could not be annihilated for too many people loved, adored and worshipped him. He could not be extirpated from the hearts and minds of men and women. So he was simply 'evilized'. This Christian act was felt everywhere; the repercussions were wide ranging. The Christian God was said to have killed Pan.

News of Pan's death came to a man named Thamus, a pilot of a ship bound for Italy by way of Paxi. As Thamus was sailing along in the Aegean on a quiet evening, he heard a loud voice announcing that "Great Pan is dead". This announced the end of Paganism; Pan with his pipes, the god of the natural, had yielded to the God of the supernatural. The story is told by a character in Plutarch's dialogue "On why oracles came to fail". When the boat Thamus was piloting came opposite Palodes, and there was neither wind nor wave, from the stern, looking toward the land, he said the words as he heard them: "Great Pan is dead". Even before he had finished there was a great cry of lamentation, not of one person but of many, mingled with exclamations of amazement. As many persons were on the vessel, the story was soon spread abroad in Rome, and Thamus was sent for by Tiberius Caesar. Tiberius became so convinced of the truth of the story that he caused an inquiry and investigation to be made about Pan, and the scholars, who were numerous at this court, conjectured that he was the son born of Hermes and Penelope, based on the mystical conclusion that the numerological value of the name Pan equates to 131, the number of lovers reputedly entertained by Penelope.

The lifetime of Plutarch (CE 45-125), who took the myth seriously, coincides with the time in which almost all the books of the New Testament were written. Speculation about the death of Pan continued in the Renaissance and afterward. Rabelais thought that Pan was Christ, for 'pan' means 'all', and Christ is mankind's all. Fontenelle, in his "Histoire critique des oracles", considered the possibility that Jesus and Great Pan might be daemons of approximately the same rank, and that the death of one would affect the other. Even if the story of Great Pan has no foundation whatsoever, it seems to sum up the mood of an entire era and its historical truth is that of a myth, albeit a late myth. To many early Christians this was the beginning of the end of paganism, and by the late Middle Ages the ancient god of the Greeks was identified with the devil. Pan did not really die. If anything, this was wishful thinking on the part of early Christians. But that they truly believed Pan to be dead cannot be denied. It was with hope and expectation of better things that they proclaimed: "Great Pan is dead". To them it prophesied the end of the world. The alleged death of Pan was not simply a matter of the end of ancient worship, the overthrow of the preceding faith, the eclipse of time-honoured religious forms, but the express hope that Nature is to disappear and life die out: the Gospel says "The day is at hand"; the Church Fathers say "Soon, very soon". The disintegration of the Roman Empire and the inroads of the barbarian invaders raised such hopes in St Augustine's breast, that soon there would be no city left but his City of God.

Yet how long a-dying the world is; how obstinately determined to live on. The old gods enshrined in the heart of nature, in the trees and streams, between the rocks and in the breeze, live on to confound the Church and cannot be driven out. Who says so? The Church herself - contradicting herself flatly. She first proclaimed them dead, then waxes indignant because they are still alive. Unable to kill them, the Church suffers the innocent-hearted to dress them up and disguise their true nature.

The nature and attributes of the god Pan, after 'diabolization', were added to the looming black figure of Satan. Century after century, by the threatening voices of Church councils, Pan was ordered to die, but he is as alive as ever. There are those who accept the definitions of the Church at face value, and in their stance against Christianity invoke devils and worship Satan. On the other hand there is that body of worshippers who call themselves witches, the worshippers of the Old Religion, the admirers of Pan. They still dance to the strains of his pipes.

In continental Europe, as well as in Britain, some worshippers of the ancient Celtic and Graeco-Roman gods had refused to convert to Christianity, and the rites they performed were interpreted as magical rites. The Celts worshipped a horned male god that may have reminded the Romans of the god Pan; a minor god to be sure, but one who could drive you into a 'panic' terror when you encountered him at noontime. This combination of horned gods, one Celtic, one classical, produced a very powerful deity around which the pagani rallied.

Up to the time of the Norman Conquest, records show that the people were openly pagan while their rulers may have been nominally Christian. A legal enactment could Christianize vast numbers of people even if they continued to practise the Old Religion. The enactment symbolized the Death of Pan, but the populace testified to his life. In his short history of Christianity, the author Marty tells us that it is possible that the Church's prohibition against representing the Crucifixion as a lamb on a cross was due to the desire to differentiate the Christian from the heathen god. The lamb, being a horned animal, was liable to be confused with the horned deity of the pagans.

The Old Religion, the worship of the Horned God, was apparently a worthy opponent for Christianity. It is said that if the word 'God' were substituted for the word 'Devil' in all Christian-written material on Paganism one would have a fairly accurate account of the prevalence and intensity of Pagan worship. Christians stigmatized the worshippers as witches, called their god Satan, and turned their groves into churches. In the process they made Satan's presence felt more, and increased his stature as well as the number of his so-called devotes. Witchcraft emerged as a black practice dangerous to followers of God.

It is in witchcraft that Pan - the symbol of Nature - still lives. His worship has ever lingered in field and fold. The new religion was left to the urban centres. Leland recorded the little prayers to Pan still intoned by devotees of 'la vecchia religione' in Tuscany. The Farrars use the name of Pan in their specimen rituals of "The Witches Way', where he is still equated with Herne and Cernunnos. The dualistic philosophy of early Christian theologians only added to the problem of evil and helped create Satan. Beginning with the Fall of Rome in 476 CE, through the Dark and Middle Ages, the Age of Reason and the Renaissance, we find only the Christian conception of Satan. It is to this Satan, 'history' tells us, that men and women sold their souls. Any references made by early theologians to ancient history after the rise of Christianity were used to l'einforce this new Satan and to fortify belief in him. So effective was this inspired campaign that the social and religious rebels of today really believe they worship Satan, and traditionalists and religionists really believe Satan is the god of these non-Christians. Such fraternities and sororities have taken the inverted pentangle as their common sigil for His Satanic Majesty as being a vestigial representation or the goat physiognomy.

Thus, with complete credulity and perhaps justification, Pope Paul VI could say "So we know that this dark and disturbing Spirit really exists, and that he still acts with treacherous cunning." This pronouncement was made in 1973. This year the Pope re-affirmed the traditional view of the Evil One. Thus the long and successful career of Satan, and hence the belief on the part of some sick souls that Satan can indwell, command, direct, use and destroy human life.

One of the first pagan sites to be re-consecrated at Rome was a temple on the Tiber island, the round Temple of Faunus, the Roman Pan, which Pope Simplicius (468-53 CE) named St Stephano Rotondo. Goats had been sacrificed there. The ancient myths were long remembered, even among those Christians with esoteric knowledge of the ancient mysteries. The grand master of Byzantine painting, who worked between 1300 and 1320 CE on the decoration of the Protaton church on Mount Athos, bore the name Panselinos, attesting knowledge of the ancient myth of Pan and the Moon Goddess. As in numberless instances in pagan art the pan-pipe is the regular accompaniment of the shepherd, so the Good Shepherd is, in Christian art, often represented with a pipe of seven reeds or straws, the classic syrinx of Pan. This primitive musical instrument with which shepherds were supposed to call back their flocks to the fold, like other pastoral emblems, soon began to be used in an allegorical sense by the early Fathers. Thus Gregory Nazianzen, after describing the anxiety of a shepherd, who, mounted on an eminence, fills the air with the melancholy strains of his pipe, recommends the spiritual pastor to follow his example and try to win souls to God by persuasion rather than the staff. The syrinx, or Pandaean pipes, was regarded as typifying the music of the Gospel, which recalls the wanderers and guides the sheep in the right way.

The Neoplatonist and Christian philosophers made Pan the synthesis of paganism. When he had lost his uncontrollable sexuality, he came to personify the grand totality of a state of being. Plutarch recorded the legend of sailors on the high seas hearing mysterious voices proclaiming the demise of Pan. No doubt the voices mourning among the waves did fortell the death of the old gods, epitomized in Pan, in the sense of the birth of a new age and one which made the Graeco-Roman world shiver with fear. The end of an era was portended. But memories of Pan remained in our sub-consciousness, sublimated but intact. Old Pan, the shepherds' god, had half human, half animal shape; bearded, horned and hairy, lively, agile, swift and crafty, he expressed animal cunning. He preyed sexually upon nymphs and boys indifferently, but his appetite was insatiable and he also indulged in solitary pleasures. Sculptures retrieved from Herculaneum reveal his bestial pursuits. The gods gave him the name Pan, meaning 'All Things', not only because all things are to some extent like him in their greed, but also because he is a universal tendency incarnate. He is the god of All Things, doubtless indicative of the procreative current charging All Things, all Gods, or all Life.

Payne Knight says that the Lycaean Pan of Arcadia is Pan the Luminous; that is, the divine essence of light incorporated in universal matter. The Arcadians called him 'the Lord of Matter', as Macrobius rightly translates it. The ancient writer Damascius tells us that the Orphic deity Phanes-Jupiter was also called Pan, the 'mingler of all things'. A late second century CE relief in Modena Museum shows this cosmic deity surrounded by a zodiacal mandala; a type of that which surrounds the Cosmic Christ in Majesty in medieval paintings. Pan is addressed in the Orphic Litanies as 'the first-begotten love', or creator incorporated in universal matter, and so forming the world. He is described as the origin and source of all things, as representing matter animated by the divine spirit. Lycaean Pan was the most ancient and revered God of the Arcadians, the most ancient people of Greece.

The modern occultist Kenneth Grant compares the Greek Pan, 'All', with the Latin 'Omne', the Sanskrit 'Aum', Egyptian 'Amoun' and Hebrew 'Amen', all designations of the Hidden God of the forest, the Abyss, the deep, the underworld; any region withdrawn and without the range of waking consciousness. Anciently Pan gave his name to the word 'panic', the terror which fills all nature and all beinigs when the feeling that this god is there disturbs the spirit and bewilders the senses.

The Arcadian god Pan is the best known Classical example of the dangerous presence dwelling just beyond the protected zone of the community boundary, 'beyond the pale'; Sylvanus and Faunus were his Latin counterparts. (In Alexandrian times Pan was identified with the ithyphallic Egyptian divinity Min, who was, among other things, the guardian of desert roads.) The emotion that he instilled in human beings who by accident adventured into his domain was 'panic' fear, a sudden groundless fright. Any trifling cause then - the break of a twig, the flutter of a leaf - would flood the mind with imagined danger, and in the frantic effort to escape from his, own aroused unconscious the victim expired in a flight of dread. His worship spread from Arcadia to Athens immediately after the Athenian and Plataean victory over the Persians at Marathon in 480 BCE, because he made the Persians flee in panic.

Yet Pan was benign to those who paid him worship, yielding the boons of the divine economy of nature, bounty to the farmers, herders, and fisher-folk who dedicated their first fruits to him, and health to all who properly approached his shrines of healing. Also wisdom, the wisdom of Omphalos, the World Navel, was his to bestow; for the crossing of the threshold is the first step into the sacred zone of the universal source.

At Lycaion was an oracle, presided over by the nymph Erato, whom Pan inspired, as Apollo did the prophetess at Delphi. And Plutarch numbers the ecstasies of the orgiastic rites of Pan along with the ecstasy of Cybele, the Bacchic frenzy of Dionysus (the great Thracian counterpart of Pan), the poetic frenzy inspired by the Muses, the warrior frenzy of the god Ares-Mars, and, fiercest of all, the frenzy of love, as illustrations of the divine 'enthusiasm' that overturns the reason and releases the forces of the destructive-creative dark.

The condition as panolepsy was suffered by ancient Greeks from Athenian teenagers to mighty Socrates himself, whereby a person in the woods would be overcome by intense elation. This was considered possession by Pan. Some would run away into the woods and never return. Pan, as god of the hellenic witches, furnishes the traditional image of the Devil; hence he must have played an important role in magical ceremonies in later antiquity although the texts do not give a coherent picture of this development.

In his book on the Tarot, Frank Lind says of The Black Magician card that the central figure of the card is that of Pan, the god of Nature, the cause of man's instinctive behaviour. In some Tarot sets the Devil is represented with the extremities of a goat - the he-goat being a prototype of Satan. The appearance of Satan as a goat was usual at the witches' Sabbat. This Goat of Mendes, a combination of faun, satyr, and Pan-goat, became in medieval times a definite synthesis of the anti-divinity. At Mendes, the city of ancient Egypt, Pan under this form was worshipped with the greatest solemnity.

Liber Oz tells us that "there is no god but man". Grant comments that the underlying doctrine is obvious. When a man, growing in consciousness by repeated acts of love under will, expands his consciousness to embrace all other consciousness, he becomes Pan, ie One with All. There is thus no essential difference between any one universe and any other. Once consciousness has become cosmic in scope the many selves vanish and the One Self alone remains. The process is detailed in the Divine Pymander of the Thrice-Greatest Hermes, the father of Pan: "After this manner, therefore, contemplate God, as having within himself the entire Cosmos - all thoughts or intellections. If thou dost not make thyself God-like, thou canst not know God; for like is intelligible only to like. Expand thyself unto the immeasurable greatest, passing beyond all body, and transcending time, enter Eternity, thus thou shalt know God. Conceive that nothing is impossible unto thee; think thyself immortal and able to know all - all sciences, all arts, the nature and way of life of every creature. Become higher than all height, lower than all depth; comprehend in thyself the qualities of all creatures, of fire and water, the dry and moist; and likewise conceive thyself to be in every place - in earth, in sea, in heaven, in the unbegotten, in the womb, in the young, in the old, in the dead, and in the after-death state. And if thou canst know all these things simultaneously - all times, places, deeds, qualities, and quantities - thou canst then know God."

A well-documented invocation of Pan by Aleister Crowley occasioned The Paris Working, a series of operations carried out by him with Victor Neuberg, a poet who had published a slim collection entitled "The Triumph of Pan". They trod violets with their bare feet to evoke the spirit of the glade through which trots the lustful Pan. (Traditionally Pan held a branch of pine, or was crowned with pine leaves.) The deity closest to Crowley's heart, he was given the appropriate colour of crimson, the colour of Geburah (Strength), the fifth sephira of the Tree of Life in the Cabala, attributed to Mars. Geburah is also called Pachad (Terror), which suggests the God Pan (opines Grant) and the peculiar nature or the strength and terror associated with the god.

The manifestation of the God Pan occurs at high noon. In Crowleyanity this is the Secret Silver Star shining at noon in the depths of the earth. When Crowley was enthroned in Berlin as Baphomet, the title he assumed when he joined the OTO, he copied as his seal the Alexandrian gem displaying the conjoined ram and goat of Mendes-Pan, that he had garnered from the "Two Essays on the Worship of Priapus" by Richard Payne Knight. This was appropriate as Baphomet, like Pan, enjoined men to lust and enjoy all things of the senses. The figure of Ammon was compounded of the forms of the ram, as that of Pan was of the goat; the reason of this is difficult to ascertain, unless we suppose that goats were unknown in the country where his worship arose, and that the ram expressed the same attribute.

Pausanias says he knew the meaning of this symbol, but did not choose to reveal it, it being part of the mystic worship. Crowley's seal design was based on an actual gem in the collection of Charles Townley, on which the head of the Greek Pan is joined to that of the ram of Ammon.

Orpheus and Hesiod composed hymns to Pan. Whilst in Moscow, Crowley wrote his own Hymn to Pan, his most effective poem, according to his biographer. Symonds says that as an evocation it achieves its aim, and was used during many a magickal operation. After two thousand years of Christianity one is thrown back by its ancient pagan frenzy; it is the dance of Pan and the dissolution of consciousness. This is the Dionysian aspect of life rediscovered by Nietzsche. Pan is the Antichrist, symbol of lust and magic. After the poet Louis Wilkinson recited the Hymn at Crowley's funeral in the chapel at Brighton crematorium on 5th December 1947, the local Council declared: "We shall take all necessary steps to prevent such an incident occurring again".

But the spirit of Pan yet walks abroad. In Egypt, away from the pyramids and the tour buses, in the vicinity of skhmim, where the god Min had his ancient cult centre Panopolis, crude phallic figurines are still set up in the fields. This custom is likely to go back to ancient times and the figures may be derived from the ithyphallic image of Min. They are probably used today because their sexuality is thought to stimulate crop growth and because an erect penis (Crowley's 'token erect of thorny thigh') is thought to frighten away the evil spirits who threaten crops.

And in a 'friendly pagan magazine from the East Midlands, a classified contact seeks 'pictures of Pan for a tattoo'.

I can hear the echo of the Old Crow's words:-

"Thrill with lissome lust of the light,

O manl My man!

Come careering out of the night

Of Pan! Io Pan!


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Geocosmic* Valentine
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posted July 28, 2010 11:24 PM     Click Here to See the Profile for Geocosmic* Valentine     Edit/Delete Message   Reply w/Quote
Hello OneRuledByMars,

I just want to say Hotep and how does it feel to be awake?

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oneruledbymars
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From: South Carolina
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posted July 29, 2010 12:10 AM     Click Here to See the Profile for oneruledbymars     Edit/Delete Message   Reply w/Quote
Consider this:
"In late 1909, two Englishmen, scions of the comfortable middle classes, undertook a journey to Algiers. Aleister Crowley, later to be dubbed "the wickedest man in the world," was in his early thirties; his companion, Victor Neuburg, had only recently graduated from Cambridge. The stated purpose of the trip was pleasure. Crowley, widely traveled and an experienced mountaineer and big-game hunter, loved North Africa and had personal reasons for wanting to be out of England. Neuburg probably had little say in the matter. Junior in years, dreamy and mystical by nature, and in awe of a man whom he both loved and admired, Neuburg was inclined to acquiesce without demur in Crowley's various projects. There was, however, another highly significant factor in Neuburg's quiescence. He was Crowley's chela, a novice initiate of the Magical Order of the Silver Star, which Crowley had founded two years earlier. As such, Neuburg had taken a vow of obedience to Crowley as his Master and affectionately dubbed "holy guru," and had already learned that in much that related to his life, Crowley's word was now law.

It was at Crowley's instigation that the two men began to make their way, first by tram and then by foot, into the North African desert to the southwest of Algiers; and it was Crowley's decision to perform there a series of magical ceremonies that prefigured his elaboration of the techniques of sex magic, or, as he was later to call it, Magick. In this case, the ceremonies combined the performance of advanced ritual magic with homosexual acts. It is this episode in the desert—sublime and terrifying as an experience, profound in its effects, and illuminating in what it reveals of the engagement of advanced magical practice with personal selfhood—that constitutes the focus of this chapter."

Who was Aleister Crowley evoking with these rituals?
Crowley says simply in his Confessions that what took place amounted to a final tearing away of "certain conceptions of conduct which, while perfectly proper from the standpoint of my human nature," he had regarded as "impertinent to initiation." What happened in prosaic terms was that Crowley was sodomized by Neuburg in a homosexual rite offered to the god Pan. Pan, the man-goat, had a particular significance for the two men. Not only did Crowley revere him as the diabolical god of lust and magic, but Neuburg literally had what acquaintances described as an elfin and "faun-like" appearance. It is likely that what happened on Mount Da'leh Addin was a classic invocation; the young chela, in accordance with accepted magical technique, probably "called down," or invoked, the god Pan. A successful invocation would result in the neophyte's becoming "inflamed" by the power of the god. If this is what happened during the ceremony on the mountain, Neuburg, in his magical capacity, would momentarily identify with all that the man-goat god represented. Put simply, Neuburg with his tufted "horns" would become Pan—the "faun-like" yet savage lover of Crowley's psychosexual world. This may well have been the first time that Crowley (and certainly Neuburg) had performed a magical homosexual act, although Crowley quickly came to believe that sex magic was an unrivaled means to great power. Conversely, the image of Pan was to haunt Victor Neuburg for the rest of his life. It inspired some of his best early poetry, but later filled him with dread. The experience was overwhelming for both men, but it temporarily devastated Crowley. His summation was brief. "There was an animal in the wilderness," he writes, "but it was not I."

Interesting that it was Pan.
I am only bring this to everyones attention to show how backwards our society has become. Allowing for the suppression of sexuality of all kinds. Making us think that it is all condemned by the God of the Bible unless certain rules are met.

Consider that the Bible says that homosexuality, masturbation, and sex outside of marriage is all a sin.
And consider this about Crowley:

"Ordo Templi Orientis (O.T.O.) (Order of the Temple of the East, or the Order of Oriental Templars) is an international fraternal and religious organization founded at the beginning of the 20th century. English author and occultist Aleister Crowley has become the most well known member of the order.

Originally it was intended to be modelled after and associated with Freemasonry,[1] but under the leadership of Aleister Crowley, O.T.O. was reorganized around the Law of Thelema as its central religious principle. This Law—expressed as “Do what thou wilt shall be the whole of the Law" [2] and "Love is the law, love under will” [3]—was promulgated in 1904 with the dictation of The Book of the Law."


"Man, unable to solve the Riddle of Existence, takes counsel of Saturn, extreme old age. Such answers as he can get is the one word “Despair”.

Is there more hope in the dignity and wisdom of Jupiter? No; for the noble senior lacks the vigour of Mars the warrior. Counsel is in vain without determination to carry it out.

Mars, thus invoked, is indeed capable of victory: but he has already lost the controlled wisdom of age; in a moment of conquest he wastes the fruits of it, in the arms of luxury.

It is through this weakness that the perfected man, the Sun, is of dual nature, and his evil twin slays him in his glory. […] and who shall mourn him but his Mother Nature, Venus, the lady of love and sorrow[?] […]

But even Venus owes all her charm to the swift messenger of the gods, Mercury, the joyous and ambiguous boy whose tricks first scandalize and then delight Olympus.

But Mercury, too, is found wanting. Now in him alone is the secret cure for all the woe of the human race. Swift as ever, he passes, and gives place to the youngest of the gods, to the Virginal Moon.

[………………………………………………………………………………]

But Artemis is still barren of hope until the spirit of the Infinite All, great Pan, tears asunder the veil and displays the hope of humanity, the Crowned Child of the Future.46

When we read Crowley’s summary and the Rites themselves, it is at first obvious that these rituals have virtually nothing to do with accounts of the Greek Rites of Eleusis based on the myth of Demeter and Persephone.47 Still, Crowley’s modern version is not completely disconnected from its classical namesake. The original Mysteries were rites of initiation, and they answered a “riddle” (in the revelation of vegetative cycles as symbolic of personal rebirth), like Crowley’s Rites. Also, we should recall Crowley’s reference to the Mysteries as part of his teaching and instructing in his essay “Eleusis,” which shows that he (like virtually every occultist) connected initiation with a tradition of which the Eleusinian Mysteries were a part. And he likely expected his audience to do the same. This fact speaks to the importance of the underlying “myth” of Crowley’s Thelemic system as they appear in his Rites. What we have is a revelation/initiation progressing from a god of death (the “Dying God” and empty shrine of the previous aeon) to a “death” of the lower self (the crucifixion) to a descent of “occult” wisdom (Mercury) and at last to the enthronement of a “Crowned Child” (cp. Ra-Hoor-Khuit).48 And, in the ultimate Thelemic move, that child is barren and virginal until the earthly, lusty, libidinous Pan asks, “Of what worth is the gold in the mine?” and finally tears down the veil—removing the hiding “restriction” of the old law to show forth the naked, available youthful energy of the new Law.49 The importance of this act to the “initiation” of humanity into its new (rightful) place of “divinity” is particularly clear in Pan’s song to Luna at the conclusion of the Rite just before he tears down the veil:


-201-


O virgin in armour

Thine arrows unsling

In the brilliant resilient

First rays of the spring!

No Godhead could charm her,

But manhood awoke—

O fiery Valkyrie,

I invoke, I invoke!50

The final vision of the Rites is of powerless gods replaced by empowered “manhood,” with Pan bridging the gap between the virginal goddess and the earthly participants in the Rite by his song and his removal of the obscuring veil."


So Amun becomes Pan and Pan becomes the Devil while Aten becomes Jehovah and the God of the Bible. Used by TPTB to put everyone on there knees out of guilt and fear praying for forgiveness.
The perfect NWO.

The stories of the Bible are just rewritten history..consider the origin of twin flames.
First we begin with the idea of making man in Jehovah/Aten form...
Adam and Eve is the story of the split from androgynous beings which was our first incarnations and the beginnings of the Twin Souls, this took place in Atlantis to the Atlans who incarnated around the time of Lemuria. The body is just a borrowed vehicle formed of the Earths crust...and Spirit from above...and the Ego from the Reptilian Template that was used as the basis of it.
Now this is where Starseeds, Indigo and Crystal children come into play.
It appears that there has been an influx of humans with upgraded DNAs that vibrate to a frequency that cant be brought down the way other humans can because they are aware of there Energy systems and how they work, perhaps do to having balanced there Karma and so there existence in the 3D is motivated out love and not necessity to finish learning there lessons.

I feel like the Energy of Pan can be used to lift the veil as originally he was the God that was seen and felt through nature herself worshipped in many forms as an Archtype...leading us back to a guilt free, judgement free happier time in our timeline of incarnations.

But lifting that viel we began to see the continuity of our own existence.

love it love it....

Some may think Crowley was crazy....and view him and Ron, and Jack Parsons and all there associates and fraternities all as Satanist...but I for one believe that they knew the truth of our reality. But they were corrupted by the there motivation for power perhaps fulfilling the Reptilian agenda.
We are motivated by Love and Compassion...and by shining our light into the darker places of humanities thoughts we can bring beauty back to the Energy of Darkness and in doing so integrate our Shadow selves.

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oneruledbymars
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Posts: 1077
From: South Carolina
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posted July 29, 2010 12:17 AM     Click Here to See the Profile for oneruledbymars     Edit/Delete Message   Reply w/Quote
Haha...Geo...right...
Can you believe that it is at Micheal Jacksons Midpoint between his Sun and Moon...and he too was raised a Jehovahs Witness and had to make a choice and perhaps carried the guilt of leaving Aten/Jehovah....and return to the Omnipresent All That Is... loving and compassion God that shines from within each of us...Amun.

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Glaucus
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Posts: 5819
From: Sacramento,California
Registered: Apr 2009

posted July 29, 2010 03:07 PM     Click Here to See the Profile for Glaucus     Edit/Delete Message   Reply w/Quote
I checked those Egyptian asteroids in my chart

Amun in 14'56 Libra in 2nd
conjunct Geocentric South Amun Node in 14'42 Libra in 2nd
conjunct Uranus in 15'17 Libra in 2nd
trine Vertex/Antivertex in 14'58 Aquarius/Leo in 5th/11th
sextile asteroid dwarf planet Ceres in 13'57 Leo in 11th
sextile transneptunian dwarf planet Makemake in 16'20 Leo in 12th


Aten in 5'58 Capricorn
conjunct Geocentric South transneptunian dwarf planet candidate Varuna Node in 5'41 Capricorn
sextile Sun in 5'20 Scorpio
sextile transneptunian dwarf planet Ixion in 5'25 Scorpio

I also have a yod of
Saturn in Gemini in 9th quincunx the sextile of Sun in 5'20 Scorpio,Ixion in 5'25 Scorpio (2nd chances,matters dealing with gratitude,karma,evolutionary intensification) in 2nd and Aten in 5'58 Capricorn in 4th


East Point/West Point in 8'00 Virgo/Pisces in 12th/6th
conjunct Geocentric North Aten Node in 7'46 Virgo in 12th
square Jupiter in 8'17 Sagittarius in 3rd
square Geocentric South Aten Node in 7'32 Sagittarius in 3rd


Imhotep in 5'44 Libra in 1st
trine Saturn in 5'08 Gemini R in 9th

My Sun aspects the following within 1 degree:

Sun in 5'20 Scorpio
conjunct transneptunian dwarf planet candidate Ixion in 5'25 Scorpio in 2nd
conjunct Geocentric South Imhotep Node in 5'24 Scorpio in 2nd
conjunct Geocentric transneptunian dwarf planet South Eris Node in 5'30 Scorpio
conjunct in 2nd
conjunct Athor (Egyptian Goddess of Love) in 6'14 Scorpio
conjunct Selqet (Egyptian Scorpio Goddess) in 4'44 Scorpio
oppose Geocentric South Imhotep Node in 5'29 Taurus in 8th
oppose Geocentric North transneptunian dwarf planet Eris Node in 5'30 Taurus in 8th
square Aigyptios (Egyptian) in 5'57 Aquarius in 11th
square Arabia in 6'00 Leo in 11th
sextile Aten in 5'58 Capricorn in 4th
sextile Geocentric South transneptunian dwarf planet candidate Varuna in 5'41 Capricorn in 4th


I was born during a very strong Sun-Earth-Imhotep alignment

geocentric asteroid nodes return to their positions within a year
heliocentric asteroid nodes move up to 1 degree per century

I am very strongly connected to both personal and collective Imhotep energy.


Sun in 5'20 Scorpio
conjunct Geocentric South Imhotep Node in 5'24 Scorpio
conjunct Geocentric North Imhotep Node in 5'29 Taurus


Earth in 5'20 Taurus
conjunct/oppose Heliocentric Imhotep Nodes in 5'26 Taurus/Scorpio


I was also born with a very strong Sun-Eris Node alignment too. The Geocentric and Heliocentric Eris Nodes were closely conjunct the Geocentric and Imhotep Nodes


Sun in 5'20 Scorpio
conjunct Geocentric South Eris Node in 5'29 Scorpio
oppose Geocentric North Eris Node in 5'30 Taurus

Earth in 5'20 Taurus
conjunct/oppose Heliocentric Eris Nodes in 5'30 Taurus/Scorpio

------------------
Raymond Andrews,
President,Executive Director of Developmental Neurodiversity Association
Supporting the Neurodiversity Movement

A Different Mind Is Not A Deficient Mind. http://www.facebook.com/#!/group.php?gid=131944976821905&ref=ts

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Glaucus
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posted July 29, 2010 10:43 PM     Click Here to See the Profile for Glaucus     Edit/Delete Message   Reply w/Quote

Imhotep (sometimes spelled Immutef, Im-hotep, or Ii-em-Hotep; called Imuthes (Ιμυθες by the Greeks), fl. 27th century BC (2655-2600 BC) (Egyptian ii-m-ḥtp *jā-im-ḥatāp meaning "the one who comes in peace") was an Egyptian polymath,[1] who served under the Third Dynasty king, Djoser, as chancellor to the pharaoh and high priest of the sun god Ra at Heliopolis. He is considered to be the first architect engineer[2] and physician in early history.[3] though two other physicians, Hesy-Ra and Merit-Ptah lived around the same time. The full list of his titles http://en.wikipedia.org/wiki/Imhotep


so Imhotep could be about architect engineering and medicine

seems like Imhotep could be about problem solving in general

------------------
Raymond Andrews,
President,Executive Director of Developmental Neurodiversity Association
Supporting the Neurodiversity Movement

A Different Mind Is Not A Deficient Mind.
http://www.facebook.com/#!/group.php?gid=131944976821905&ref=ts

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AstrologicalMan
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Posts: 435
From: Brickenton
Registered: Jun 2011

posted June 30, 2011 01:00 AM     Click Here to See the Profile for AstrologicalMan     Edit/Delete Message   Reply w/Quote
Did you say that you used to be a Pharaohe?

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Gabby
Moderator

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posted May 05, 2014 02:10 PM     Click Here to See the Profile for Gabby     Edit/Delete Message   Reply w/Quote
Bump....

Great thread.... thank you!!

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LuckyStar
Knowflake

Posts: 144
From: Elysian Fields
Registered: Oct 2013

posted May 10, 2014 10:20 PM     Click Here to See the Profile for LuckyStar     Edit/Delete Message   Reply w/Quote
ORBM- I loved your input regarding Pan. I actually found it so enlightening. I needed to print it out and really take it in.

Do you have other thread that I can enjoy as much as this?

I tried searching your name but no results.

Thanks!

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