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Author Topic:   Medusa Asteroid
Ami Anne
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From: Pluto/house next to NickiG
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posted January 19, 2012 03:08 PM     Click Here to See the Profile for Ami Anne     Edit/Delete Message   Reply w/Quote
The Gorgon: A Story of Medusa


“The Gorgon”


Once upon a time, there lived a Gorgon, and she was the meanest, ugliest creature that ever lived, or so I am told, though I have never met her, so it might just be hearsay. The Gorgon lived all alone in a ruined temple by the sea. No one ever visited the Gorgon, for with but a glance, the Gorgon could turn any creature into stone. Her hair was a writhing mass of snakes, and her body that of a woman, but her torso ended in a serpantine coil of golden scales. Two great feathery wings protruded from her back, like a gryphon's, but these lovely appendages only rendered the rest of this monster more grotesque in appearance. Now, I can’t imagine who it was who brought back such a vivid account of this fell creature, for as far as I know for certain, none have ever returned from the Gorgon’s lair. But this is what I have heard of her.

One day, there was a youth named Darius, who, sailing to Carthage, was caught up in a terrible storm. Darius’ ship sank beneath the waves, and he awoke on the beach of a small island. Weary and hungry, Darius nonetheless out on foot for help to return to his native Greece. He knew he had to continue, and drew upon all his strength to aid him in his journey home. After some time traveling on foot, Darius came upon a ruined temple halfway up a rocky cliff. By now Darius was growing tired but even more hungry, so he decided to climb the cliff.

When he reached the top, Darius stopped a moment to look back down the height he had climbed, and he silently thanked the gods that he had reached the top alive. He took a moment to enjoy the refreshing wind cooling him. Then he sat down for a minute on the edge of the cliff to rest his aching joints. The sand on his legs was itchy and uncomfortable, but Darius was pleasantly occupied by the sight of the little glade of trees on the top of the cliff. Then, he noticed a marble statue in the sun, nestled among a grove of oak away on his right, and he got up to investigate it.

The statue was of a rough marble, and the figure rather gross. Who would go to such lengths to carve a disgusting figure? He wondered. And, just as he was wondering this, Darius spied another marble statue sitting in the open about ten paces away, only this statue was carved out of a nearly perfect block of marble. Darius headed towards it, and came upon the likeness of a handsome youth, almost an Adonis or Narcissus. Stangely, though, the marble of his eyes was black, and the expression on his handsome face, with the corners of his mouth turned down in disdain, rendered the handsome countenance hideous upon closer inspection.

Darius stepped away from the statue and headed into the ruined temple to look for someone to aid him on his journey home. He looked around in the dark chambers, but found only more marble statues, some short and squat figures, others tall and fair, others caught in the act of running. The expressions on the statues were invariably gruesome. Then, all at once, Darius spied a mural painted on a wall up ahead, illuminated by a shaft of sunlight that had penetrated the gloomy chamber through a crack in the ceiling above. Darius approached the painting, picking his way through several statues lying down just before it.

The painting showed a young Greek woman in white linen. Darius stopped to stare at her, for she was one of the most beautiful women he had ever seen. Her hair was a glossy back, her arms white and graceful like a swan’s. But her full ruby-red lips did not smile.

All at once there was a terrible hissing sound in the chamber, and Darius spun around to his right. There, standing not three paces from him, was the most hideous monster Darius had ever seen. The only monster Darius had ever seen, in fact, but you get the point. This was the Gorgon, and she was ug-ly.

Well, Darius was afraid, but he didn’t move or attempt to flee. The Gorgon’s mass of snake hair writhed ominously, and her unblinking peregrine eyes gleamed at him fiercely. At any moment, her stare threatened to petrify him.

“Ah, please excuse my intrusion,” Darius croaked, attempting to smile. “My name is Darius, and I have been stranded on your island. I seek food and shelter, and aid to return to my native land of Greece. Though I have nothing to give you in return, save only my friendship and gratitude.”

The Gorgon gave Darius a crushing stare, but not enough to turn him into stone. The snakes stopped writhing; Medusa was stupefied. No one had ever dared to speak to her in more than a hundred years.

“You know who I am?” The Gorgon hissed in fury; her voice was the voice of a shrill harpy, but Darius tried not to cringe, and nodded his head amiably.

“Are you Medusa, the Gorgon?”

The Gorgon did not reply. “If you have come for my golden scales, you will die, young Darius.” And with that, her snake coiffure began to writhe once more.

“I have no need of gold,” said Darius. “I have no ship to take it back with me.”

The Gorgon hesitated a moment, thinking this over.

“You did not come to hurt me, then?”

“I come unarmed.”

“You did not come to steal my painting?”

“No, though I will not forget it, so I do take the image away with me. Alas that a brief look is all I will ever have! Who is she?”

“She was lovely, was she not?” The Gorgon laughed darkly. “Her name was Melantha, daughter of Phorcys, son of the sea and the Earth. But her mother was the daughter of a Greek fisherman.”

“Melantha—like the dark violet lilies that grow along the shore?”

“Yes,” said the Gorgon, looking closely at Darius, who tried very hard not to flinch.

Darius looked back at the painting. “Yes, she is lovely.” He agreed, shaking his head.

“Ah-hah!” Exclaimed the Gorgon, preparing to turn him to stone. “You are like all the others. You do not see her ugliness!”

“She is lovely,” Darius said quickly, “but her eyes are sad. They would be beautiful if she saw beauty in the world again.”

The Gorgon stopped cold and suddenly began to weep. Darius felt his skin crawl, as the great hideous monster was reduced to tears. Giant green tears that oozed out of blackened eyes and dripped to the floor. Where they fell, the stone dissolved away, leaving small craters.

“Have I offended you, friend Medusa?” cried Darius, pitying the poor creature in spite of her ugliness.

“No,” replied the Gorgon, coming to herself.

“Might I ask what happened to her?” asked Darius.

The Gorgon laughed. “Because you are honest and bold, Darius, I will tell you. Or perhaps because I am bored and because I am weary, and have had no company in many long years. Melantha was admired by many young men, because she was beautiful. Princes and peasants alike sought her and desired her because she was good and kind, noble in spirit, sweeter than honey, and as tender-hearted as a flower. But, you see, she was also poor, and had no dowry.”

“Riches are valued over virtues far too often,” said Darius. “But surely one prince among men would have seen her worth?”

“Not enough to marry her.” Said the Gorgon. “Melantha journeyed to the city and made her living spinning and weaving tapestries, and her life was hard. Very hard, for although her tapestries were beautiful, well-crafted, and the patterns complex, very few people came to admire them, and soon she was forced to stop spinning. And this broke her heart, for spinning and weaving tapestries was the one thing that had given her joy since her childhood. She loved to create and to bring beauty into the world through honest toil. And she had once hoped her creations might stir beauty in the hearts of others. But in the end she was wasting her time.”

“Had she no friends to buy her tapestries?” Darius asked.

“Very few,” replied the Gorgon. “For women shunned her, condemning her as a temptress, and the men who came to her shop only came to steal a look at her. A few who had money offered to buy her shop and all of the tapestries in exchange for her love.”

“That is a sad thing. But perhaps she would have been wise to accept any offer rather than starve.”

“Perhaps, but you see Melantha had already given her heart away.”

“Where was her love, then?”

“She did not know. For the one she loved had left her to seek his fortune. Nevertheless, she had sworn to be true, and not to love again. So, she looked for work in town, and accepted any task that came along. And all the while, men came from far and wide to look at her, until one young man painted her likeness and gave it to her as a gift. Touched by his kindness, she gave him one of her most precious tapestries in return, but he kept it rolled up in the corner of his shop. Then, many terrible things happened to Melantha, until her heart became heavy with grief and bitterness, and she no longer saw much beauty in the world. She began to look upon her old, lovely tapestries, and to feel a deep anger and despair. Then one day her love returned.”

“So at last he returned to claim her?” asked Darius hopefully.

“No.” Replied the Gorgon. “He passed by her without saying a word. For he had heard by then that she was an evil creature, angry, twisted, ugly, and bitter. And because he believed she was a monster, he came to despise her. Nevertheless, Melantha did a foolish thing and ran after him.”

“And did she find him?”

“She did. But he denied ever knowing her. And from that moment on, Melantha gave up hope of ever finding beauty again in the world, for there was no longer any beauty left in her heart. She cried out for her immortal sisters, daughters of Phorcys, the Gorgons, to come to her aid. And she asked them, for they had the powers of the immortal gods, to strip away her humanity that had given her such grief. So they transformed her into a Gorgon, and her alluring hair became instead a mass of venomous snakes, and her eyes turned black.”

“And thereafter she was called Medusa,” said Darius.

“Yes,” admitted the Gorgon. “And none came after her again out of desire for her love, for her body had become a serpantine coil of gold. But all those who have come to steal the Medusa’s gold have paid a terrible price.”

“That is one of the saddest tales I have ever heard,” said Darius.

“Is it? Even so, I think it is not so unusual,” said the Gorgon. “Medusa is the ugliness Melantha bore inside all those years. Now, young Darius, if you wish to leave this place alive, I believe there is a ship on the southern end of the island.”

“I thank you, friend Medusa, but is there nothing I can do for you in return?” Darius asked, glancing back at the lovely image of Melantha. “Is there any hope of restoring you to your former self?”

“No, it is too late for me,” laughed the Gorgon. “Melantha cannot go with you. What once is done cannot be undone. Now go, and be thankful to leave this island with your life, friend Darius.”

So, Darius left the temple and found the boat on the southern end of the island. And, when he returned to Greece, he thanked the gods that he had been born a man.

I can only assume Darius told everyone about the three Gorgons the next time he drank too much wine at the local tavern. But as I said before, I don’t really know for certain.

The end.

© 1992. Revised 2002

Alternate ending (suggested by Harvey, who really hates to see such an end come to a lovely young lady...) Darius and his mates return to the isle to free the gorgon from an evil spell, armed with one of Paris' magic apples and a golden fleece... they cast the fleece over the gorgon and return her to human shape, but of course, they had to give her an apple of discord to reverse the discord back to accord--or a bright new outlook--she slept off the initial sleeping spell and woke up on an island in the Pelopponese with Darius and his friends just barely managing not to molest her--too much.

Melantha's sour disposition abated somewhat--she seemed really to like the guys--Darius and his friends continued to succor her spirits with sprits and plenty of red red wine. In a few days, after recovering from a nasty hangover, Melantha felt much better, and grew to like the island life and dancing on the sand, scantily clad--Darius' best friend Ataxercus was an accomplished bongo drum and flute player and kept them all decently entertained for a few weeks until the next boat came in. As it turned out, a change of attire did wonders for Melantha, who had a marvelous figure. And, once in a while, she could cast a really menacing glare at an old poop in a bad mood--and melt wax men into real life lechers. The captain of the boat took a shine to her, for instance, now isn't that nice?

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MC2012
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posted January 19, 2012 03:11 PM     Click Here to See the Profile for MC2012     Edit/Delete Message   Reply w/Quote
I love this story

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Ami Anne
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posted January 19, 2012 03:13 PM     Click Here to See the Profile for Ami Anne     Edit/Delete Message   Reply w/Quote
Is this the real story

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Ami Anne
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posted January 19, 2012 03:14 PM     Click Here to See the Profile for Ami Anne     Edit/Delete Message   Reply w/Quote

The Story of Medusa and Athena

Once upon a time, a long time ago there lived a beautiful maiden named Medusa. Medusa lived in the city of Athens in a country named Greece -- and although there were many pretty girls in the city, Medusa was considered the most lovely.

Unfortunately, Medusa was very proud of her beauty and thought or spoke of little else. Each day she boasted of how pretty she was and each day her boasts became more outrageous.

On Sunday, Medusa bragged to the miller that her skin was more beautiful than fresh fallen snow. On Monday, she told the cobbler that her hair glowed brighter than the sun. On Tuesday, she commented to the blacksmith’s son that her eyes were greener than the Aegean Sea. On Wednesday, she boasted to everyone at the public gardens that her lips were redder than the reddest rose.

When she wasn’t busy sharing her thoughts about her beauty with all who passed by, Medusa would gaze lovingly at her reflection in the mirror. She admired herself in her hand mirror for an hour each morning as she brushed her hair. She admired herself in her darkened window for an hour each evening as she got ready for bed. She even stopped to admire herself in the well each afternoon as she drew water for her father's horses -- often forgetting to fetch the water in her distraction.

On and on Medusa went about her beauty to anyone and everyone who stopped long enough to hear her -- until one day when she made her first visit to the Parthenon with her friends. The Parthenon was the largest temple to the goddess Athena in all the land. It was decorated with amazing sculptures and paintings. Everyone who entered was awed by the beauty of the place and couldn’t help but think of how grateful they were to Athena, goddess of wisdom, for inspiring them and for watching over their city of Athens. Everyone, that is, except Medusa.

When Medusa saw the sculptures, she whispered that she would have made a much better subject for the sculptor than Athena had. When Medusa saw the artwork, she commented that the artist had done a fine job considering the goddess's thick eyebrows -- but imagine how much more wonderful the painting would be if it was of someone as delicate as Medusa.

And when Medusa reached the altar she sighed happily and said, “My this is a beautiful temple. It is a shame it was wasted on Athena for I am so much prettier than she is – perhaps some day people will build an even grander temple to my beauty.”

Medusa’s friends grew pale. The priestesses who overheard Medusa gasped. Whispers ran through all the people in the temple who quickly began to leave -- for everyone knew that Athena enjoyed watching over the people of Athens and feared what might happen if the goddess had overheard Medusa’s rash remarks.

Before long the temple was empty of everyone except Medusa, who was so busy gazing proudly at her reflection in the large bronze doors that she hadn't noticed the swift departure of everyone else. The image she was gazing at wavered and suddenly, instead of her own features, it was the face of Athena that Medusa saw reflected back at her.

“Vain and foolish girl,” Athena said angrily, “You think you are prettier than I am! I doubt it to be true, but even if it were -- there is more to life than beauty alone. While others work and play and learn, you do little but boast and admire yourself.”

Medusa tried to point out that her beauty was an inspiration to those around her and that she made their lives better by simply looking so lovely, but Athena silenced her with a frustrated wave.

“Nonsense,” Athena retorted, “Beauty fades swiftly in all mortals. It does not comfort the sick, teach the unskilled or feed the hungry. And by my powers, your loveliness shall be stripped away completely. Your fate shall serve as a reminder to others to control their pride.”

And with those words Medusa’s face changed to that of a hideous monster. Her hair twisted and thickened into horrible snakes that hissed and fought each other atop her head.

“Medusa, for your pride this has been done. Your face is now so terrible to behold that the mere sight of it will turn a man to stone,” proclaimed the goddess, “Even you, Medusa, should you seek your reflection, shall turn to rock the instant you see your face.”

And with that, Athena sent Medusa with her hair of snakes to live with the blind monsters -- the gorgon sisters -- at the ends of the earth, so that no innocents would be accidentally turned to stone at the sight of her.

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Ami Anne
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posted January 19, 2012 03:16 PM     Click Here to See the Profile for Ami Anne     Edit/Delete Message   Reply w/Quote
Cursed by the gods for her vanity, Medusa becomes a monster with snakes for hair--and the ability to turn all whose gaze upon her to stone.

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Ami Anne
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posted January 19, 2012 03:31 PM     Click Here to See the Profile for Ami Anne     Edit/Delete Message   Reply w/Quote
I think that this asteroid would be downfall from vanity. It is asteroid 149.

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MC2012
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posted January 19, 2012 03:35 PM     Click Here to See the Profile for MC2012     Edit/Delete Message   Reply w/Quote
wow what a great story. I find these days though that there are more insecure women than vain...maybe we will always remember those chilhood tales. I know I do for sure. I heard this story when I was probably 5 or 6 yrs old. I was scared lol I thought I'd see medusa and the snakes would bite me or the birds would poop on me and I'd turn into stone lol But of course these stories teach humility. I relate to the 1st one more than the 2nd. Thanks for sharing amianne.

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bttrklk
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posted January 19, 2012 05:26 PM     Click Here to See the Profile for bttrklk     Edit/Delete Message   Reply w/Quote
i have medusa conjunct sun in pisces exactly and i have problems with my hair.i'm 21 years old and loosing my hair.it draws people's attention but in a negative way.they think my hair is in a bad condition

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bttrklk
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posted January 19, 2012 05:35 PM     Click Here to See the Profile for bttrklk     Edit/Delete Message   Reply w/Quote
and i'm said that my eyes show my emotions very well,especially my anger.and i sometimes stare people but i don't notice that i'm staring at that moment. i was warned a couple of times because of this.these astreoids have much much more influence than we think they have.

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MC2012
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posted January 19, 2012 05:43 PM     Click Here to See the Profile for MC2012     Edit/Delete Message   Reply w/Quote
I don't even think I have this aspect on my chart but I didn't add medusa so I don't even know either lmao

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bttrklk
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posted January 19, 2012 05:43 PM     Click Here to See the Profile for bttrklk     Edit/Delete Message   Reply w/Quote
i read that medusa have a scorpian side and i think that's true. a couple of weeks ago something happened: i have dyonisus,madesa and sun stellium in pisces.dyonisus is related to capricorn and medusa is related to scorpio.one of my friends asked me my sign and i wanted him to guess.his first answer was scorpio and the second answer was capricorn.even if my sun (the biggie) is in pisces, it projects the signs of the asteroids that are conjunct to it more than its (the sun's) own sign.but after people get to know me,they say that i am exactly piscean

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MC2012
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posted January 19, 2012 05:48 PM     Click Here to See the Profile for MC2012     Edit/Delete Message   Reply w/Quote
You have intuitive friend's

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bttrklk
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posted January 19, 2012 05:55 PM     Click Here to See the Profile for bttrklk     Edit/Delete Message   Reply w/Quote
i'm sorry,iwrote the name of the asteroid dionysus wrong in the previous repplies. it's "dionysus", not dyonysus

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Ami Anne
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posted January 19, 2012 06:14 PM     Click Here to See the Profile for Ami Anne     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by bttrklk:
i read that medusa have a scorpian side and i think that's true. a couple of weeks ago something happened: i have dyonisus,madesa and sun stellium in pisces.dyonisus is related to capricorn and medusa is related to scorpio.one of my friends asked me my sign and i wanted him to guess.his first answer was scorpio and the second answer was capricorn.even if my sun (the biggie) is in pisces, it projects the signs of the asteroids that are conjunct to it more than its (the sun's) own sign.but after people get to know me,they say that i am exactly piscean


Great info. She seems Scorpio like to me, too. Great insight! Thanks so much, Brtterfly!

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Ami Anne
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posted January 20, 2012 09:42 AM     Click Here to See the Profile for Ami Anne     Edit/Delete Message   Reply w/Quote
I brought Medusa up in a discussion group, I am in. Will talk about anything I learn!

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KarkaQueen
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posted January 20, 2012 07:42 PM     Click Here to See the Profile for KarkaQueen     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by bttrklk:
i have medusa conjunct sun in pisces exactly and i have problems with my hair.i'm 21 years old and loosing my hair.it draws people's attention but in a negative way.they think my hair is in a bad condition


I have Medusa conjunct Sun in Cancer by a 2 degree orb.

Would that make it a minor or major aspect/

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Ami Anne
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posted January 20, 2012 10:15 PM     Click Here to See the Profile for Ami Anne     Edit/Delete Message   Reply w/Quote
Major. Read the story and see if you can relate, but you are a little baby lol

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KarkaQueen
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posted January 21, 2012 04:03 PM     Click Here to See the Profile for KarkaQueen     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by Ami Anne:
Major. Read the story and see if you can relate, but you are a little baby lol


Oh right. up until this year I use to have long hair that I was proud of but I didn't take care of it.

It got SO bad my mom had to cut most of it off.

Of course I cried. lol.

Thank god its growing back!

Thats all, not sure if that counts.

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Stawr
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posted January 22, 2012 09:31 PM     Click Here to See the Profile for Stawr     Edit/Delete Message   Reply w/Quote
I like this futuristic pic I found of a futuristic looking Medusa on deviantart.

and here's the link I found it on http://browse.deviantart.com/digitalart/drawings/abstract/?q=femme%20fatal#/d2715wa

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summerlite
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posted January 13, 2014 04:12 AM     Click Here to See the Profile for summerlite     Edit/Delete Message   Reply w/Quote
This is good.


From a Jungian perspective the myth of the hero symbolizes the archetypal stages in the development of consciousness. Initially the ego, which is defined in the West as the organized faculty of the masculine psyche, is born out of the soul, which is the feminine uroboric unity of the Great Goddess, that is, the young god as the son/lover of the Great Mother. The development of consciousness involves the egos growth in learning the qualities of reason, intellect, and logic with which to first recognize and discriminate itself as a distinct individual entity, and then to separate itself from the mother. The stronger the masculine ego consciousness become, the more it is aware of the emasculating, bewitching, deadly and stupefying nature of the Great Goddess.

According to this point of view, Medusa, as a devouring female monster, represents the dread of the irrational and fear of annihilation by unconscious forces. While the masculine may desire to sink back and dissolve into the pleasure of the womb, this is seen as a regressive trend to the development of the male ego. The hero needs to slay the monster in order to prevent his return to the feminine uroboric unity to free himself from the power of the mother in the unconscious. The violence to the feminine is a reaction to the pull of the mother. The heros path of individuation necessitates a movement away from the soul, represented by the dark instinctual feminine. He is aided in this quest by the impetus of the spirit embodied by the light, rational masculine, or the Great Father archetype.

Men who have not made peace with Medusa in themselves will see feminine sexuality as something that fascinates them, but also the source of their self-undoing. As they try to protect themselves against its frightening power by destroying the monster, they will unconsciously incite the Medusa woman in their lives to retaliate by castrating them physically and psychologically. For many of us, direct confrontation with this aspect of our being, often unknown and unnamed as it hides in the dark caverns of our psyche, can overwhelm and immobilize us with its raw intensity.

And yet a man who desire a positive relationship to womens dark moon sexuality must make the descent into his unconscious, listen to the wailing agony of his decapitated Medusa, reach out in sympathy to her pain, heal the wounds of her rejection, and return whole-within-himself to the upper world. After the hero has proved his separation from his mother, he must reestablish a loving relationship to his inner dark feminine. Until he can do that he will remain trapped in the web of destructive sexual relationships.

Let us now look at the psychology of the feminine who wears the Gorgons Head over the center of her breastplate. In what ways have women been conditioned through patriarchal culture to deny and reject the power of the serpent-haired queen within them, and how has this affected their relationship to themselves and others?

Medusa, in her association with the serpent and with the menstrual blood that could heal and destroy, embodies the dark moon mysteries of the Goddess. In her red-faced Gorgon mask surmounted by a crown of snakes, Medusa in women signifies a source of feminine wisdom that is connected to their sexuality. She points to the source of womens powers of divination, creation, destruction and regeneration.

Buffie Johnson explains that hair stands for energy and fertility. On the head hair signifies higher spiritual forces, and below the waist it indicates the fertilizing forces. When snakes replace the hair as they replace the Gorgons tresses, they represent the higher forces of creation.

The serpent symbolizes the kundalini force coiled like a snake at the base of the spine that stand behind our sexual procreative energy. When kundalini is activated, it rises up through the central spinal column, activating each charka in turn, and eventually comes out of the top of the head as cosmic enlightenment. When Medusas hair is transformed into snakes, this symbolizes the rising of the kundalini and our ability to utilize this force for regenerative healing, mental creativity, oracular wisdom, and spiritual power.

To the extent that we have culturally repressed and feared the powers of this Dark Goddess and have accepted the patriarchal view of her as a monster to be destroyed, we have cut ourselves off from our ability to access our sexual power to create, regenerate, and know the truth from within ourselves. In face we have been taught to shirk from and reject the kind of menstrual, ecstatic, and nonreproductive sexuality that activates these powers. Medusa in us carries the patriarchys projection of womens dark sexuality as evil.

The pure form of Medusa symbolizes the source of our instinctual bodily wisdom and power. However, in our fear and denial of her, she has come to represent the ways in which we feel the most ignorant and incapable. She signifies a place of deep insecurity in us; and when we are challenged in her domain we become stiff with terror and immobilized from taking action. We are rendered powerless, and our inner Medusa remains vulnerable and unprotected.

In our fear we erect a defense to hold back the forces of those who might take advantage of our weakness and violate us. By donning the Gorgons maske we create a hideous face that we hope will frighten and repel others. It is a portrait of feminine anger and hatred, and her effect upon anyone who looks at her is paralysis. Medusas mask is ugly, yet underneath her hard and unattractive exterior is soft, beautiful, and sensitive. And she usually has been deeply wounded by a man at some point in her life.

Jean Bolen comments on the woman who is wearing Athenas armor with Medusas aegis on her breastplate. If the Athena side of the archetype is more active, her well-armored (usually intellectual) defenses are up and her authority and critical gaze keep others at an emotional distance. Lederer, commenting on Athenas stance, says, As she displays the genitalia of the Mother (i.e., the Gorgons Head), she proclaims herself as a castrated woman, and her terrible sight cannot fail to repel all enemies. She becomes the Unapproachble, who fends off all sexual lust, numbs her enemies with terror, and repels desire.

But for those of us who are severed form Medusas serpent power and cannot access our wisdom and strength, we continue to experience failure and humiliation in her sphere. As our fear of inadequacy increases, so do the protective barriers of our defenses. Our frustration and rage serve to crystallize the grimacing mask of frozen rage upon our face. While we are powerless behind the mask, others feel intimidated. We give looks that will turn a person to stone. The mask, now inseparable from our true face, acts to keep others away. Often we do not fully realize the effect of our glare, and so we experience and increasing sense of being ostracized, rejected, and hated by others. These negative and destructive attitudes reflect back upon ourselves, and we become bitter, blaming, and judgmental. If the mask turns inward, we are repulsed by our impotence, which grows into a pervasive self-hatred; and this self-rejection is added to our other problems.

In order to transform the mask, we must first recognize and acknowledge the wrathful face that we present to others. Our next task is to recall Medusa from her banishment and once again reclaim the serpent-haired queen by honoring the dark moon wisdom that arises from our sexuality. Medusa is the source of our deep, regenerative healing power. The menstrual blood of the Serpent Goddess that could heal, kill, and even raise the dead is reflected in the twin serpents of Life and Death twining about the winged staff that is today the emblem of the medical profession. Her blood was given by Athena to the God of Healing, Asklepius, whose daughter Hygeia, Goddess of Health was in classical times the guardian of the sacred serpents in the healing temples.

In order to claim the spiritual power of the ancient Libyan Serpent Goddess of Wisdom, we must develop our talents and inner resources that will give us a new sense of our value and self-worth. We will then see her blessings in our lives as our increasing confidence in our ability to be creative and assertive in all our life endeavors. We will remember how to use her ancient wisdom in recognizing truth, healing and regenerating ourselves and others. And we will recover the magic of our dark sexuality.

Remembering that intelligence, strength, and creativity were once rooted in the feminine tradition, we can call upon the lineage of the Triple Goddess Neith/Anatha. From Athena we can receive valor, strength and courage; from Metis the intuitive wisdom of wise counsel and creative self-expression; and from Medusa our psychic sexual abilities to heal and regenerate. The power that comes from the core of our being, which is grounded in the stability of our inner wisdom and strength, is what can truly ward off the threat of violation. We no longer need the frightening mask as a weapon of defense to conceal our insecurity.
http://shedrums.com/Medusa.htm (longer version)

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