posted April 10, 2014 05:47 PM
quote:
Originally posted by CAY_512:
I just think they are very protective of their own feelings. They are not super human just private & they don't share things without trust. In my experience with them.
This (combined with what Xodian said, hopefully tongue in cheek) reminded me of this scene from the BOOK (not identical to the movie) White Oleander shared from the point of view of a Scorpio (Astrid, very protective of her Pisces foster mother--and thus herself--yet thinks and acts more like a Scorpio teen girl who learned to survive but failed to stop her foster mother from meeting with her real mother in prison) an Aquarius (Ingrid, convicted murderer, Astrid's mother), and Pisces (touchy feely actress and foster mother to Astrid):
*********************************
We sat at a picnic table under the blue overhang. I watched the gate where my mother would come in, but Claire was looking the wrong way, toward Reception, where the new prisoners milled around or pushed brooms--they vollunteered to sweep, they were so bored. Most were young, one or two over twenty-five. Their dead-looking faces wished us nothing good.
Claire shivered. She was trying to be brave. "Why are they staring at us like that?"
I opened my hand, examined the lines on my palm, my fate. Life would be hard. "Don't look at them."
It was cold, but now I was sweating, waiting for my mother. Who knows, maybe they would become friends. Maybe my mother wasn't playing a game, or not too ugly a one. Claire could keep her postage, and she would be a nice character witness someday.
I saw my mother, waiting while the CO opened the gate. Her hair was long again, forming a pale scarf across the front of her blue dress, down one breast. She hesitated, she was as nervous as I was. So beautiful. She always surprised me with her beauty. Even when she had just been away for a night, I'd see her and catch my breath. She was thinner than the last time I'd seen her, all the excess flesh had been burned away. Her eyes had become even brighter, I could feel them from the gate. She was very upright, muscular, and tan. She looked less like a Lorelei now, more like an assassin from Blade Runner. She strode up, smiling, but I felt the uncertainty in her hands, stiff on my shoulders. We looked into each other's eyes, and I was astonished to find tha were were the same height. Her eyes were searching within me, trying to find something to recognize. They made me suddenly shy, embarrassed of my fancy clothes, even of Claire. I was ashamed of the idea that I could escape her, even of wanting to. Now she knew me. She hugged me, and held her hand out to Claire.
"Welcome to Valhalla," she said, shaking Claire's hand.
I tried to imagine how my mother must be feeling right then, meeting the woman I'd been living with, a woman I liked so much I hadn't written anything about her. Now my mother could see how beautiful she was, how sensitive, the child's mouth, the heart-shaped face, the delicacy of her neck, her freshly cut hair.
Claire smiled with relief that my mother had made the first move. She didn't understand the nature of poisons.
My mother sat down next to me, put her hand over mine, but it wasn't so large anymore. Our hands were growing into the same shape. She saw that too, held her palm to mine. She looked older than the last time I saw her, lines etching into her tanned face, around the eyes and thin mouth. Or maybe it was just in comparison to Claire. She was spare, dense, sharp, steel to Claire's wax. I prayed to a God I didn't believe in to please let this be over soon.
"It's not at all what I thought," Claire said.
"It doesn't really exist," my mother said, waving her hand in an elegant gesture. "It's an illusion."
"You said that in your poem." A new poem, in Iowa Review. About a woman turning into a bird, the pain of the new feathers coming in. "It was exquisite."
I winced at her old-fashioned, actressy diction. I could imagine my mother mocking her later to her cellblock sisters. But I couldn't protect Claire now. It was too late. I saw that the perennial hint of irony in the corners of my mother's lips had now been etched into a permanent line, the tattoo of a gesture.
My mother crossed her legs, tanned and muscular as carved oak, bare under her blue dress, white sneakers. "My daughter says you're an actress." She wore no sweater in the cold grayness of the morning. The fog suited her, I smelled the sea on her, although we were a hundred miles from any ocean.
Claire twisted her wedding ring, it was loose on her fingers. "To tell you the truth, my career's a disaster. I botched my last job so badly, I'll probably never work again."
Why did she always have to tell the truth? I should have told her, certain people should always be lied to.
My mother instinctively felt for the crack in Claire's personal history, like a rock climber in fog sensing fingerholds in a cliff face. "Nerves?" she asked kindly.
Claire leaned closer to my mother, eager to share confidences. "It was a nightmare," she said, and began to describe the awful day.
Overhead the clouds rolled and clotted, like dysentery, and I felt sick. Claire was afraid of so many things, she only went thigh-deep into the ocean because she was afraid of being swept under. So why couldn't she feel the undertow? My mother's smile, so kind-looking. There's a riptide here, Claire. Lifeguards have had to rescue stronger swimmers than you.
"They treat actors so badly," my mother said.
"I've had it." Claire slid her garnet heart pendant along its chain, tacked it under her lip. "No more. Dragging myself to auditions, just to have them look at me for two seconds and decide I'm too ethnic for orange juice, too classic for TV moms."
My mother's profile sharp against the chinchilla sky. You could have drawn a straight line using the edge of her nose. "What are you, all of thirty?"
"Thirty-five next month." The truth, the whole truth, and nothing but the truth. She would be the witness from hell. She couldn't resist the urge to lie down and bare her breast to the lance. "That's why Astrid and I get along. Scorpio and Pisces understand one another." She winked at me from across the table.
My mother didn't like that we understood each other, Claire and I. I could tell by the way she was pulling my hair. The crows cawed and flapped their dull, glossy wings. But she smiled at Claire. "Astrid and I never understood each other. Aquarius and Scorpio. She's so secretive, haven't you found that? I never knew what she was thinking."
"I wasn't thinking anything," I said.
"She opens up," Claire said cheerfully. "We talk all the time. I had her chart done. It's very well balanced. Her name is lucky, too." The ease with which Claire knelt at the block, stretched her neck out, still chattering away.
"She hasn't been very lucky so far," my mother said, almost purring. "But maybe her luck is changing." Couldn't Claire smell the oleanders cooking down, the slight bitter edge of the toxin?
"We just adore her," Claire said, and for a moment I saw her as my mother saw her. Actressy, naive, ridiculous. No, I wanted to say, stop, don't judge her based on this. She doesn't audition well. You don't know her at all. Claire just kept on talking, unaware of what was going on. "She's doing wonderfully well, she's on the honor roll this year. We're trying to keep that old grade point average up." She made a half-circle gesture with her fist, a Girl Scout gesture, hearty and optimistic. The old grade point average. I was mortified and I didn't want to be. When would my mother have worked with me, hour after hour, to raise the old grade point average? I wanted to wrap Claire in a blanket the way you do with someone who's on fire, and roll her in the grass to save her.
My mother leaned toward Claire, her blue eyes snapping like blue fire. "Put a pyramid over her desk. They say it improves memory," she said with a straight face.
"My memory's fine," I said.
But Claire was intrigued. Already my mother had found a weak spot, and I was sure would find more. And Claire didn't realize for a moment that my mother was jerking her chain. Such innocense. "A pyramid. I hadn't thought of that. I practice feng shui, though. You know, where you put the furniture and all." Claire beamed, thinking my mother was a kindred soul, rearranging the furniture for good energy, talking to houseplants.
I wanted to change the conversation before she started talking about Mrs. Kromach and the mirrors on the roof. I wish she'd glued a mirror right to her forehead. "We live right near the big photo labs on La Brea," I interjected. "Off Willoughby."
My mother continued as if I hadn't spoken. "And your husband is even in the business. The paranormal, I mean." These ironic commas in the corner of her mouth. "You've got the inside scoop." She stretched her arms over her head. I could imagine the little pops up and down her spine. "You should tell him, his show is very popular here."
She rested her arm on my shoulder. I discreetly shrugged it off. I might have to be her audience, but I wasn't her coconspirator.
Claire didn't even notice. She giggled, zipping her garnet heart on its thin chain. She reminded me of the tarot card where the boy is looking up at the sun as he is about to walk off a cliff. "Actually, he thinks it's just a big joke. He doesn't believe in the supernatural."
"You'd think that would be dangerous in his line of work." My mother tapped on the orange plastic of the picnic table. I could see her mind winding out, leaping ahead. I wanted to throw something in there, stop the machine.
"I told him just that," Claire said, leaning forward, dark eyes shining. "They had a ghost that almost killed someone this fall." Then she stopped, unsure, thinking she'd made a gaff, talking about murder in front of my mother. I could read her skin like a newspaper.
"You don't worry about him?"
Claire was grateful my mother had let her little faux pas gently slide by. She didn't see, my mother had hold of what she really wanted. "Oh, Ingrid, if you only knew. I don't think people should fool around with things they don't believe in. Ghosts are real, even if you don't believe in them."
Oh, we knew ghosts, my mother and I. They take their revenge. But rather than admit that, my mother quoted Shakespear. "There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy."
Claire clapped her hands in delight, that someone else had quoted the Bard for a change. Ron's friends missed her references.
My mother flicked her long hair back, draped her arms around me again "It's like not believing in electricity just because you can't see it." Her bright blue assassin's eyes smiled at Claire. I knew what she was thinking. Can't you see what an idiot this woman is, Astrid? How can you prefer her to me?
"Absolutely," Claire said.
"I don't believe in electricity, either," I said. "Or Hamlet. He's just a construct. A figment of some writer's imagination."
My mother ignored me. "Does he have to travel a good deal, your husband? What's his name again? Ron?" She wrapped a strand of my hair around her little finger, keeping me in check.
"He's always gone," Claire admitted. "He wasn't even home for Christmas. She was playing with that garnet heart again, sliding it up and down the chain.
"It must be lonely for you," my mother said. Sadly. So sympathetic. I wished I could get up and run away, but I would never leave Claire here alone with her.
"It used to be," Claire said. "But now I have Astrid."
"Such a wonderful girl." My mother stroked the side of my face with her work-roughened finger, deliberately scraping my skin. I was a traitor. I had betrayed my master. She knew why I'd kept Claire in the background. Because I loved her, and she loved me. Because I had the family I should have had all the time, the family my mother never thought was important, could never give me. "Astrid, do you mind letting us talk for a moment alone? Some grown-up things."
I looked from her to my foster mother. Claire smiled. "Go ahead. Just for a minute." Like I was a kid who had to be encouraged to get into the sandbox. She didn't know how long a minute could be, what might happen in a minute.
I got up relunctantly and went over to the fence closest to the road, ran my fingertips over the bark of a tree. Overhead, a crow stared down at me with its souless gaze, squawked in a voice that was almost human, as if it was trying to tell me something. "**** off," I said. I was getting as bad as Claire, listening to birds.
I watched them, leaning toward each other over the table. My mother tanned and towheaded, in blue, Claire pale and dark, in brown. It was surreal, Claire here with my mother, an orange picnic table in Frontera. Like a dream where I was naked and standing in line at the student store. I just forgot to get dressed. I was dreaming this, I told myself, and I could wake up.
Claire pressed her palm to her forehead, like she was taking her temperature. My mother took Claire's other thin hand between her large ones. My mother was talking without stopping, low, reasonable. I'd seen her hypnotize cats this way. Claire was upset. What was she telling her? I didn't care what my mother's game was. Her time was up. We were leaving, she was staying. She couldn't screw this up for me, no matter what she said.
They both looked up as I rejoined them. My mother glared at me, then veiled it with a smile, patted Claire's hand. "You just remember what I told you."
Claire said nothing. Serious now. All her giggles had vanished, her pleasure at finding another person who quoted Shakespear. She stood up, pale fingernails propped on the tabletop. "I'll meet you at the car," she said.
My mother and I watched her go, her long legs in their matte brown, the quietness of her movements. My mother had taken all the electricity away, the liveliness, the charm. She scooped her out, the way the Chinese used to cut open the skull of a living monkey and eat its brains with a spoon.
"What did you tell her?"
My mother leaned back on the bench, folding her arms behind her head. Yawned luxuriously, like a cat. "I hear she's having trouble with her husband." She smiled, sensually, rubbing the blond down on her forearms. "It's not you, is it? I know you have an atraction to older men."
"No, it's not me." She couldn't play with me the way she played with Claire. "You stay out of it."
I'd never dared speak to her that way before. If she were not stuck here in Frontera, I would never have had the nerve. But I would be leaving and she would be staying, and in that fact there was a strength I would never have found if she were out.
I could see it startled her to have me oppose her. It angered her that I felt I could, but she was controlled, I could see her switch gears. She gave me a smile of slow irony. "Your mommy just wants to help, precious," she said, licking her words like a cat lapping cream. "I have to do what I can for my new friend."
We both watched Claire out past the cyclone fencing, as she walked to the Saab, distracted. She bumped into the fender of a station wagon. "Just leave her alone."
"Oh, but it's fun," my mother said, bored with the pretense. She always preferred to bring me behind the scenes. "Easy, but fun. Like drowning kittens. And in my current situation, I have to take my fun where I can. What I want to know is, how could you stand to live with Poor Claire? Did you know there was an entire order, the Poor Claires? I would imagine it's a terrible bore. Keeping up the old grade point average and whatnot. Pathetic."
"She's a genuinely nice person," I said, turning away from her. "You wouldn't know about that."
My mother snorted. "God forbid, the nice disease. I would have thought you'd outgrown fairy tales."
I kept my back to her. "Don't screw it up for me."
"Who me?" My mother was laughing at me. "What could I do? I'm a poor prisoner. A little bird with a broken wing."
I turned around. "You don't know what it's been like." I bent over her, one knee on the bench beside her. "If you love me, you'll help me."
She smiled, slow and treacherous. "Help you, darling? I'd rather see you in the worst kind of foster hell than with a woman like that." She reached up to push a lock of hair away from my face, and I jerked away. She grabbed my wrist, forcing me to look at her. Now she was dead serious. What was under the games was pure will. I was terrified to struggle. "What are you going to learn from a woman like that?" she said. "How to pine artistically? Twenty-seven names for tears?" A guard made a motion toward us, and she quickly dropped my wrist.
She stood and kissed me on the cheek, embraced me lightly. We were the same height but I could feel how strong she was, she was like the cables that held up bridges. She hissed in my ear, "All I can say is, keep your bags packed."
*
CLAIRE STARED out at the road. A tear slipped from her overfilled eyes. Twenty-seven names for tears. But no, that wasn't my thought. I refused to be brainwashed. This was Claire. I put my hand on her shoulder as she made the turn onto the rural highway. She smiled and patted it with her small, cold one. "I think I did well with your mom, don't you?"
"You did," I told her, gazing out the window so I wouldn't have to lie to her face. "She really liked you."
A tear rolled down her cheek, and I brushed it away with the back of my hand. "What did she say to you?"
Claire shook her head, sighed. She started the windhshield wipers, though it was only a mist, turned them off when they started squeeking on the dry glass. "She said I was right about Ron. That he was having an affair. I knew it anyway. She just confirmed it."
"How would she know," I said angrily. "For God's sake, Claire, she just met you."
"All the signs are there." She sniffed, wiped her nose on her hand. "I just didn't want to see them." But then she smiled. "Don't concern yourself. We'll work it out."
*
I SAT AT MY DESK under the ridiculous pyramid, drawing my self-portrait, looking in a hand mirror. I was doing it in pen, not glancing down, trying not to lift the pen from the paper. One line. The squarish jaw, the fat unsmiling lips, the round reproachful eyes. Broad Danish nose, mane of pale hair. I drew myself until I could make a good likeness even with my eyes closed, until I memorized the pattern of movement in my hand, in my arm, the gesture of my face, until I could see my face on the wall. I'm not you, Mother, I'm not.
Claire was supposed to go to an audition. She had told Ron she would, but she had me call in and say she was sick. She was soaking in the bathtub with her lavender oil and a chunk of amethyst, trying to soothe her jagged edges. Ron was supposed to be home on Friday, but something came up. His trips home were handholds for her, so she could swing from one square on the calendar to the next. When he said he was going to come home and didn't, she swung forward and grasped thin air, fell.
I intercepted a letter from prison from my mother to Claire. In it, my mother advised a love potion to put in his food, but everything in the formula she sent looked poisonous to me. I drew a picture over her letter, a series of serpentine curves speared by an angle, put it in a new envelope and sent it back to her.
In the living room, Claire played her Leonard Cohen. Suzanne taking her down to the place by the river.
I kept drawing my face.
--from White Oleander, by Janet Fitch